Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation. In the place of stars, Martínez has substituted the logos of international corporations and entities that use stars as their symbol; celestial navigation commanded by the logic of international corporations. Easily spotted is the smiling face of the Carl’s Jr. / Hardee’s logo, the three-pronged Mercedes-Benz emblem, Walmart’s six-pointed asterisk, and the starry cluster of the Subaru shield.
Adriana Martínez is obsessed with ideas and entities that extend past national and regional borders. Martinez makes work that wrestles with the global economy through simple gestures conceived with a lightness of hand. Thought of temporally, many of her artworks can be described as quick: easily read, they come across like nimble jabs, the most succinct and articulate rebuttals. Martínez is conceptual in her approach to making art, often writing out her ideas in lieu of the traditional artist sketch. She is not concerned with the traditional skills required to realize her works—those, like the commodities she often works with, are easily traded—but is more interested in the process of imagining and articulating a certain point of view. She works with everyday and readymade objects often, pulling from the mass market and our image-rich global culture to comment on the very proliferation of those images (and the materials and peoples that they stand in for) around the world.
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...