12:57 minutes
Otty Widasari is an artist that started her professional career as journalist and got engaged in the media activism and documentary filmmaking. She worked for newspapers and TV station in Jakarta, was one of the founders of Forum Lenteng and since 2008 has been active as Program Director in akumassa program. The solo artistic practice of Otty Widasary is partially nourished by her media activist engagements, experience of journalists dealing with social and historical actualities in the media realm and film connoisseurship (collaboration with O.K. video and Arkipel, international documentary and experimental film festival). A continuous drawing practice accompanying her collective activities, research, scenario and text writing gathers, bringing all her activities at one place – at her working diary. Her artistic work oscillates in between video and filmmaking, performance, drawing and brings together puzzles of distinct thematics. It deals with everyday struggles related to the material condition of life as in Home (2007) where the main subject of the documentary complaints about permanent working exploitation of low class laborer in Jakarta, or in Horor satu menit (2005) inquiring the child fear in an intimate setup. Video poem Green Mountain, Heaven Mountain , from 2013 thematizes by a quote from a piece of ancient rubaiyaat from Persia a tension in between certain patriarchal restrictive habits and the need of a woman to “feel the heavenly pleasure that exists in the world”. In her video work Diorama while adding a mysterious multi-channeled voice over to the video recording of famous Diorama at the Monumen Nasional she dissolves the monolithic clarity of unique interpretation of the national story.
Untitled (Man with Bees) is part of Curran Hatleberg’s attempt to make sense of the current state of the “American Dream”, or lack thereof...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Collector Eugenio López Alonso on his museum’s tenth anniversary and Mexico City’s rising profile in the art world Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Collectors interview Collector Eugenio López Alonso on his museum’s tenth anniversary and Mexico City’s rising profile in the art world Visitors to the city during Zona Maco can also take in Museo Jumex’s anniversary group show, curated by New Museum director Lisa Philips Osman Can Yerebakan 8 February 2024 Share Collector and Museo Jumex founder Eugenio López Alonso Brian Harkin Museo Jumex, a major engine in Mexico City’s transformation into a contemporary art hub, is celebrating its tenth anniversary with programming that includes the group exhibition Everything Gets Lighter , curated by Lisa Philips, the director of New York City’s New Museum, and the upcoming first survey of Damien Hirst’s work at a Mexican institution...
With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...
The Desi Boys will show you Kolkata from the streets - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from Desi Boys © Soham Gupta Soham Gupta made his name capturing Kolkata’s unseen poor...
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Opinion | How the word ‘hostage’ used to mean something quite different to its modern definition, as the Israel-Gaza war rumbles on | South China Morning Post Advertisement Advertisement Hostages who were abducted by Hamas gunmen during the October 7 attack on Israel are handed over by militants to the International Red Cross in an unknown location in the Gaza Strip on November 30, 2023...
London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...
How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 | KQED Skip to Nav Skip to Main Skip to Footer NPR How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 Brittany Luse Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Beyoncé donned a cowboy hat for the limited edition cover of ‘Renaissance.’ (Parkwood Entertainment/ Columbia Records) When it came to some of the most urgent and enduring pop culture of 2023, the cowboy was center stage...
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
« Les musées doivent pleinement jouer leur rôle dans le débat écologique » nav_close_menu Offrir Le Monde F ace au dérèglement climatique et alors que s’est achevée mercredi 13 décembre la COP28 , les musées, institutions ancrées dans la vie de la cité, sont à un tournant de leur histoire, contraints de réinventer leurs modes d’action, de pensée et de fonctionnement...
A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
“A Dream Under the Southern Bough: Reverie”: Down the Ant Hole | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Toy Factory June 6, 2019 By Jocelyn Chng (1,138 words, five-minute read) My strongest memory from the first instalment of this three-year series by Toy Factory, A Dream Under the Southern Bough: The Beginning , was its dramatic cliffhanger of an ending...