One we are not
2004 - Photography (Photography)
Ryan Gander
Ryan Gander is a collector. He keeps all sorts of documents to create from. His studio is full of found images, personal images, documents copied from internet or cutout of newspapers. In a number of his works, lectures or texts, Ryan Gander is very attached to details, to anecdotes. He relays some of the information with great concern for exactitude which can seem futile and absurd but creates the poetic shift. He seeks to highlight invisible details of daily reality. All his works are in dialogue with one another. Each photograph contributes to a cartography of clues. Each title also builds on the associations and complementaries between the works.
Ryan Gander’s practice explores what-ifs, questioning the structural limits and rules of society and being. His work, which ranges from installations, sculptures and photographs, to performative lectures, publications, inventions and intervention, looks at the production of art and culture, to enquire into the processes through which art is perceived and valued. The spirit of his practice centers on development, education, and storytelling, hoping to evoke immediate and honest engagements by the viewer with his narratives. Gander is a collector. His studio is filled with found images, personal images, printed documents and newspaper clippings.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Big Brother is watching you: the exhibition aiming to tackle surveillance and censorship (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 21, 2018 Surveillance and censorship are becoming part and parcel of daily life around the world, and yet many citizens seem content to turn a blind eye to it...
© » ART & OBJECT
8 Latinx Artists You Should Know | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Alexandra Pirici
Furthering Alexandra Pirici’s enquiry into the economy and circulation of artworks, Parthenon Marbles is an immaterial version of the sculptural ensemble embodied by five performers...
© » THEARTNEWSPER
‘Gangbusters’ domestic economy sees prices rise at India Art Fair Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search India analysis ‘Gangbusters’ domestic economy sees prices rise at India Art Fair The region’s previous art market boom and bust has some at the New Delhi event questioning whether this new wave can be sustained Kabir Jhala 2 February 2024 Share A visitor at Chemould Prescott Road's stand at India Art Fair 2024 Courtesy of India Art Fair Quiet confidence has turned into bullishness at the 15th edition of India Art Fair (IAF) in New Delhi (until 4 February), South Asia’s largest commercial art event...
© » KADIST
Suzanne Treister
2014HFT The Gardener/Diagrams exemplifies Suzanne Treister’s interest in esoterica , cybernetic awareness and hallucinatory aesthetics as an emanation and contrast to the real world through the exploring circulations of power...
© » ARTS EQUATOR
Year In Review: Singapore Theatre 2020 in statistics | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 18, 2020 The statistics below are based on data gathered by Ke Weiliang and Centre 42, as part of Year in Review , an annual discussion and round-up of the performing arts in Singapore taking place on 19 December, jointly presented by Centre 42 and ArtsEquator...
© » KADIST
Antonio Pichillá
2017Wind by Antonio Pichillá is a textile piece depicting the glyph that represents the element wind in the Mayan tradition...
