One we are not

2004 - Photography (Photography)

Ryan Gander

location: Chester, United Kingdom
year born: 1976
gender: male
nationality: British

Ryan Gander is a collector. He keeps all sorts of documents to create from. His studio is full of found images, personal images, documents copied from internet or cutout of newspapers. In a number of his works, lectures or texts, Ryan Gander is very attached to details, to anecdotes. He relays some of the information with great concern for exactitude which can seem futile and absurd but creates the poetic shift. He seeks to highlight invisible details of daily reality. All his works are in dialogue with one another. Each photograph contributes to a cartography of clues. Each title also builds on the associations and complementaries between the works.


Ryan Gander’s practice explores what-ifs, questioning the structural limits and rules of society and being. His work, which ranges from installations, sculptures and photographs, to performative lectures, publications, inventions and intervention, looks at the production of art and culture, to enquire into the processes through which art is perceived and valued. The spirit of his practice centers on development, education, and storytelling, hoping to evoke immediate and honest engagements by the viewer with his narratives. Gander is a collector. His studio is filled with found images, personal images, printed documents and newspaper clippings.


Colors:



Other related works, blended automatically

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

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© » KADIST

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© » KADIST

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Martin Creed | The Dick Institute
© » TATE EXHIBITIONS

Martin Creed

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© » KADIST

Richard T. Walker

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let this be us is a single-channel video by Richard T...

Study for my Heroes in the Street (Stan)
© » KADIST

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© » KADIST

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© » KADIST

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Untitled (Perfect Lovers + 1)
© » KADIST

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Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

11
© » KADIST

Chris Wiley

2012

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Nachbau
© » KADIST

Simon Starling

2007

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Untitled (Map)
© » KADIST

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© » KADIST

Charles Avery

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© » KADIST

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© » KADIST

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After the Archive Collections Room
© » KADIST

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