One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal. The eponymous text: “One day in mountain is worth two thousands years in the world.” is written horizontally from left to right in both English and Chinese, following the writing order of modern Chinese instead of the traditional vertical right to left. With the word “is” migrating from the middle of the English phrase to be surrounded by Chinese characters, the resultant text appears to be spatially illustrating the meaning of being isolated in the mountain. The ink formed from the intermingling of food juices generates an energy circuit of inner cultivation through calligraphy writing with that the outer alchemy of cooking food. Furthermore, equating one day in the mountain with two thousand years also suggests that such transference of energy between insularity and worldliness can alter one’s experience and value of time.
Zheng Guogu founded the artistic group Yangjiang Group in 2002 with Chen Zaiyan (b. 1971, Yangchun, China) and Sun Qinglin (b. 1974, Yangjiang, China). For the Yangjiang Group, calligraphy functions as a metaphor for unpredictable, mysterious encounters hidden under the surface of a materialistic, confusing world. Their works focus on mundane daily actions and processes through the construction of large-scale, non-traditional architectural structures in Yangjiang as well as performances and site specific exhibitions at galleries, museums and art fairs around the world. They primarily work in calligraphy in conjunction with daily activities such as meeting, eating, drinking, bartering, gaming, and gambling. Seeing Yangjiang as a place on the periphery of political influence from Beijing, their aim is to transgress any rules or controlled conditions for calligraphy writing. The intermixing of imbibing and writing also ensures a material circulation of inner being and outward energy that dissipates the boundaries between art and lived experience.
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
The Best Art Gifts for Artists and Art Lovers: Updated for Holiday 2023 – ARTnews.com Skip to main content By The ARTnews Recommends Editors Plus Icon The ARTnews Recommends Editors View All December 12, 2023 1:00pm Zakka Joy If you purchase an independently reviewed product or service through a link on our website, ARTNews may receive an affiliate commission...
In the mid-1990s, Belli started to create soft sculptures that allowed her to reconnect with manual labor and sewing learned from her seamstress mother...
Was a Scandal the Best Thing to Happen to Hasan Minhaj? - The New York Times Television | Was a Scandal the Best Thing to Happen to Hasan Minhaj? https://www.nytimes.com/2023/12/17/arts/television/hasan-minhaj-the-new-yorker.html Share full article 169 Advertisement SKIP ADVERTISEMENT Finishing a story about a girl cheating on him in 11th grade, Hasan Minhaj turned to the audience at the Beacon Theater in Manhattan during the first of two shows on Friday night and said, “Don’t fact-check me.” The crowd came alive at this nod to the recent New Yorker article by Clare Malone exposing several of his onstage stories as fabrications...
SF Composer Andy Guthrie Finds Poetry in the Everyday | KQED Skip to Nav Skip to Main Skip to Footer The Do List With a Field Recorder and French Horn, Andy Guthrie Finds Poetry in Everyday Surroundings Daniel Bromfield Dec 11 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Andy Guthrie performs in Paris in March 2023...
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...
“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Arnaud Bouvier "Learning”, choreographed by Liz Santoro and Pierre Godard February 25, 2019 By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019...
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...