Now; 1992

2019 - Drawing & Print (Drawing & Print)
Dimensions variable (Set of 10 drawings)

Now; 1992 is Ali Yass’s attempt to remake his childhood drawings, which were lost after he was forced to leave Iraq following the 2003 US occupation. The drawings are chimeric compositions of animated limbs, animal, human, and machine, that seem to hurl in all directions and mediums, unified as colorful figurations posed against blank backgrounds, rendering the curious characters suspended in time. This suspension materializes the artist’s view on violence and temporality, on which he has claimed: “I will not talk about war because it is from the past. But I will talk about resistance because it is ‘now’; that now which is deferred forever.” Yass refers to these figures as “post-disaster beings” or beings in the midst of disaster—though they may appear friendly or even comical, they are also traumatized by violence. The artist explains that he is not interested in retelling history with this work, as he poignantly remark about the moment Baghdad fell: “I didn’t think of that day as a rebirth, but rather a ground zero.” Instead, this work is an attempt to understand and represent history through the lens of Yass’s personal, embodied knowledge, specifically regarding the imagery and feelings that he can recall from the events he experienced as a child.

Ali Yass is a painter and filmmaker whose work entangles personal and collective memory in its psycho-affective interrogation of power. Though sometimes experimenting with video and text, Yass’s drawing process remains the most embodied and autobiographical part of his practice, using the blank paper to channel the atrocities of the Iraq war that he witnessed as a child.Yass carries his process on the move, generating collage-esque figures from the varying energetic paces and sensory impressions his movement entails. Yass’s work engages with the concepts of resistance, documentation, and the representation of fear.

Colors:

© » LARRY'S LIST

Mary Rozell, Global Head of UBS Art Collection, on How the Art Market Has Changed - via Artsy

In the six years since Mary Rozell published The Art Collector’s Handbook: The Definitive Guide to Acquiring and Owning Art, the art world has seen major shifts....

© » ARTS EQUATOR

Weekly Picks: Indonesia (22 – 27 October 2018)

Weekly Picks: Indonesia (22 - 27 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 22, 2018 Top Picks of Indonesia art events in Jakarta and Bali from 22-27 October 2018 Don Quixote is a work that continues to be talked about and interpreted since it was first written in 1615...

© » KADIST

Sweet Jesus

Lutz Bacher

2016

Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...

© » KADIST

Come on

Gao Mingyan

2008

The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures...

© » ARTEFUSE

Craig Kucia: machines to solve unsolvable problems at SHRINE Gallery, NYC (Review)

Craig Kucia: machines to solve unsolvable problems at SHRINE Gallery, NYC (Review) - ArteFuse Craig Kucia: machines to solve unsolvable problems at SHRINE Gallery, NYC, 2023...

© » ART & OBJECT

Art Institute of Chicago Workers Ratify First Contract

Art Institute of Chicago Workers Ratify First Contract | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » SOUTH CHINA MORNING POST

He made a minimalist, airy Hong Kong home that ‘tells a story’: architect wanted an authentic, timeless design and to feel ‘a sense of belonging’

He made a minimalist, airy Hong Kong home that ‘tells a story’: architect wanted an authentic, timeless design and to feel ‘a sense of belonging’...

© » KADIST

The Missing Circle

The Missing Circle , curated by Magalí Arriola Plan your visit to KADIST San Francisco With works by Pável Aguilar, Carlos Amorales, Edgardo Aragón, Jorge Julián Aristizábal, Adriana Bustos, Fredi Casco, Rometti Costales, Aria Dean, Sam Durant, Pierre Huyghe, Cristóbal Lehyt, Jesse Lerner, Alfredo López Morales, Noé Martinez, Cildo Meireles, Eustáquio Neves Juatuba, Nohemí Pérez, Naufus Ramírez Figueroa, and Carla Zaccagnini The Missing Circle is the culmination of an eponymous series of programs initiated by KADIST in 2017 and curated by Magalí Arriola across Latin America...