Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world. In order to produce this work, Wolowiec selects a grouping of digital images from web-based sources that have a glitch, an aberration in which a short-lived technical fault results in distortions in an image’s display. Through a dye sublimination ink process, the images are printed onto strands of thread pixel by pixel, which the artist then weaves into a final work. The resulting textile piece resembles a stunningly diffuse landscape of amorphous greyscale forms that alternately reference blurry screens and darkly portentous night skies. By translating these visual blips and aberrations into permanent forms, Wolowiec challenges our assumptions that digital phenomenon can only exist in the ephemeral, and her modern tapestries feel both familiar and startlingly innovative. Towards the bottom of the work, Wolowiec marks the fabric with a brown cross, gesturing towards the practice of selecting photographs on a contact sheet with an x. This mark not only becomes a sign of the maker’s hand – it is also a graphically symbolic representation of the increasingly narrow gap between ancient handcrafts such as weaving, traditional imaging making practices such as photography, and contemporary digital/new media techniques.
Margo Wolowiec uses her multidisciplinary practice to examine space, material versus conceptual practices, and affective responses. Working predominantly with textiles, the artist aggregates “non-images” and controversial texts from the internet, she then creates complex, visually fragmented fabric compositions, which cut in and out like static. She analogizes the networked layering of woven fibers with the technological networks from which she draws her images, articulating a novel, analog means of imagining and relating to the greater technological ontology upon which contemporary society depends. Her forms are largely sourced from visualizations of glitches and aberrations found on Internet-based social networking platforms such as Instagram, Facebook, and Tumblr. In translating pixelated images into fiber art through painstaking technique of hand dye and weaving, Wolowiec offers a wholly original response to producing art in the digital age by narrowing the gap between traditional practices of handcraft and contemporary modes of image making offered through new media technologies.
The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac ! — Gunaikeîon Exposition Techniques mixtes Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Encore 2 mois : 15 octobre 2023 → 24 février 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Asli Çavusoglu is in residence at KADIST Paris from February to May 2020 to develop a project based on previous research she conducted on colors, extending her interest for their political histories towards the production of fabrics colored by naturally cultivated and fairly distributed vegetables, fruits and other edible plants...
JENG JENG JENG: Singapore Theatre Year In Review 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 2, 2021 JENG JENG JENG…! Year in Review is back! Where did 2021 go? How did the year unravel, and where have we arrived at? In a year where the arts has had to acquiesce to multiple rules, hopeful for a return to normalcy, 2021 had us hurtling through an unknown abyss of multiple emotions best captured through this year’s theme: JENG JENG JENG! From anticipation, to tentative excitement, shock, surprise and even the indescribable, our beloved colloquialism JENG JENG JENG covers it all...
Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...
A Pick Gallery | ARTPIL MAIN ARTICLES PROFILES ANNOUNCEMENTS EXHIBITIONS WORKS COLLECTIONS ABOUT MAIN ARTICLES PROFILES ANNOUNCEMENTS EXHIBITIONS WORKS COLLECTIONS ABOUT ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries Search for: Search Button newsletter | facebook fb | instagram insta • Esmeralda Kosmatopoulos A Pick Gallery Turin Founded in June 2019, A PICK GALLERY is a contemporary art gallery that, as its name suggests, focuses on the research and selection of artists, emerging and established, on the international scene...
Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Cultural Changes at the Coldest Place on Earth — A Photo Story from Yakutsk - Photographs by Alex Vasyliev | Essay by Marigold Warner | LensCulture Feature Cultural Changes at the Coldest Place on Earth — A Photo Story from Yakutsk Photographer Alexey Vasyliev offers an intimate look into the life and changing culture of the Evens, an indigenous tribe in his hometown of Yakutsk — one of the coldest places on Earth...
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
Quentin Blake: Now Exhibition | Londonist This Free Quentin Blake Exhibition Lands In London At The End Of January By Will Noble Will Noble This Free Quentin Blake Exhibition Lands In London At The End Of January The exhibition is free, although if you want, you can spend a lot of money by purchasing an original...