No World
2014 - Film & Video (Film & Video)
18 minutes
Fang Lu
No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing. Without using any dialogue, Lu created an artificial scenario where she instructed actors with a list of tasks to gesturally mime scenes from news and journalistic images outside China. Through an intuitive self-trained mimicry, these acts simultaneously became moves in a game as well as a daily routine. No World points to the changing roles of the camera from a device originally invented to memorialize a moment to a tool that situationally creates an event. The performance of violence, conflicts and human relationships in the confined space blurs the boundary between the gallery and everyday life, between staged performance and documentary footage. The work is also a metaphor for a desire in today’s youth to go beyond their controlled, mediated environment and perform chaos in order to heighten their existential awareness.
Fang Lu uses intimacy as a place for self-expression in her videos and draws out mundane moments from everyday life as a strategy to heighten one’s awareness of existence from the rest of the world. Instead of using the camera as a tool to document or capture, she stages a superficial experience, or “situated reality,” that locates the self in relation to a relationship, environment, or idealistic notion. For example, examining behavioral patterns of being in love or being sequestered in an empty building with nothing but circulated online images. For Fang, there is no one reality and everyone creates her own reality. Thus, her practice is an ongoing exploration of self-awareness and seeking realization of truths within experience, and the content in and direction of her videos are directly influenced by her immediate and living environment.
Colors:
Related works featuring themes of: » China, » Contemporary Conceptualism, » Cultural Commentary, » Film/Video
» see more
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
© » KADIST
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
© » KADIST
Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Other related works, blended automatically
» see more
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
© » KADIST
Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Related works sharing similar palette
» see more
© » SLASH PARIS
J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next J’ai pleuré devant la fin d’un manga Exhibition Ceramic, drawing, film, lithography / engraving.....
Other works by: » Fang Lu
» see more
Related artist(s) to: Fang Lu » Ai Weiwei, » Carol Yinghua Lu, » Chen Wei, » Chen Zhou, » Huang Ran, » Li Ran, » Liu Ding
» see more
Related works found in the same semantic group
» see more
© » KADIST
During the week after the the 8th Festival de Performance de Cali (20-24 November 2012), San Francisco will become the setting of a multi-venue series of events organized by the Cali-based collective Helena Producciones (Wilson Díaz, Claudia Patricia Sarria-Macías, Ana María Millán, Andres Sandoval Alba, and Gustavo Racines)...
© » KADIST
Anne Imhof
2013“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
© » KADIST
Michelle Handelman
2009In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...