NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist. The “billboard sign,” like a ready-made, plays with the different meanings of the title, literally and abstractly. The repetition of the sign, as it has used in Minimal and Conceptual art, fills the space. On a more abstract level, Floyer like Jonathan Monk and Mario Garcia Torres, explores the possibility of reformulating historical proposals from the 60s and 70s. Depending on the context and placement of the work, this work takes into account a socio-political reality,referring to unemployment and lack of work. This elliptical work makes sense only in the network of meanings produced by its activation in the exhibition. The artist’s primary concern is the context, understood as a given space where the work can be seen and read more broadly as an economic, social, and political network.
Ceal Floyer was born in 1968 in Karachi, Pakistan. She lives and works in Berlin, Germany.
There was a tragedy in Sialkot, Punjab, in August 2010, when two adolescents were murdered by vigilantes who were apparently in connivance with the police...
Weekly Picks: Singapore (14 – 20 January 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 14, 2019 The Little Prince In The Dark at Singapore Philatelic Museum, 19 Jan Explore unique tactile sculptures of The Little Prince In The Dark Collection by Arnaud Nazare-Aga, with visually-impaired guides from Ngee Ann Polytechnic’s Dialogue in the Dark...
Philip Guston Beer Launch X DEYA | Tate Modern Join us to celebrate the launch of “Painting, Drinking, Eating”, a Philip Guston-inspired collaboration brew with DEYA and Tate Be the first to try this fantastic beer, and meet the artist behind the DEYA brand, Thom Trojanowski , as he hosts a live drawing session on our drawing wall...
Beatles Painting Sells for $1.7 Million | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Bonn Phum: Cambodian Village Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 26, 2018 By Sunitha Janamohanan Bonn Phum, the Village Festival , now in its fifth year and attracting hordes of young Cambodians, took place from April 6 – 8 2018, in the grounds of the Kok Ampil pagoda...
Are You Playing ‘Whamageddon’? It’s the Christmas Game You’ve Probably Already Lost | KQED Skip to Nav Skip to Main Skip to Footer NPR Are You Playing ‘Whamageddon’? It’s the Christmas Game You’ve Probably Already Lost Listen Alejandra Marquez Janse Dec 15 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Have you been "whammed" yet this year? (Pete Still/ Redferns) Last weekend, a DJ caused a stir in Britain after playing the hit Wham! song “Last Christmas” at a soccer game in front of about 60,000 people...
Weekly Picks: Singapore (4 – 10 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 Not In My Lifetime? by The Finger Players , 5 – 17 March, Gateway Theatre Not In My Lifetime? explores the special education system in Singapore and people in it...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
I Feel Like a Fish - Photographs by Jaisingh Nageswaran | Essay by Marigold Warner | LensCulture Feature I Feel Like a Fish Combining new and archival images, Jaisingh Nageswaran creates a tender and poignant reflection on family history, his childhood memories, and caste-based discrimination in India...