New Town Ghost
2005 - Film & Video (Film & Video)
Minouk Lim
New Town Ghost (2005) is one of Lim’s trio of large-scale video installations. (The other two are S. O. S—Adoptive Dissensus [2009] and The Weight of Hands [2010].) The series grew out of her interest in capturing lost memories and the collective unconscious in rapidly globalizing cities such as Seoul. New Town Ghost documents a young female activist who is standing aggressively on a truck, rapping slam poetry through a megaphone to the rhythm of a nearby drummer. The two performers are from the Yeongdeungpo district, which has been drastically transformed by development from an industrial zone into a “new town” full of giant department stores and mega-brands. Yeongdeungpo is symbolic of many transformations witnessed by a young generation of Koreans. For Lim it is a dystopian place where the idea of a better future is simply delusional. The poem, talking about the new malls, the skyscrapers derides not only neoliberalism but also the indifferent citizens who have apparently sold their souls to it.
Loss, grief, trauma, death, and memory are consistent themes that Minouk Lim addresses through her sculptures, installations, performances, and videos. Lim’s provocative body of work is a response to and reconciliation of traumatic historical events in Korea from the late 1940s to the present day, including the undocumented massacres that occurred during the Korean War of the late 1940s and 50s, the protest for workers rights in the 1970s during the economic expansion of South Korea, and the ever-present fear of nuclear obliteration that clouds the entire Korean peninsula. For Lim, the collective experience is personal and her research confronts forgotten pasts and unlawful persecutions and in many instances, involves direct contact and establishing meaningful relationships with victims of torture, wrongfully accused North Korean spies, and civil rights organization employees.
Colors:
Related works featuring themes of: » Art and Technology, » Assemblage, » Collective History, » Contemporary Fact Versus Fiction, » Korean
» see more
© » KADIST
Wallace Berman
1969While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
© » KADIST
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
© » KADIST
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Other related works, blended automatically
» see more
© » KADIST
Minouk Lim
2012The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
© » KADIST
Wallace Berman
1969While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
Related works sharing similar palette
» see more
© » KADIST
An ever-growing collection of scripts, ideas and works by: Julieta Aranda, Olivier Babin, Francisco Camacho, Derick Carner, Asli Cavusoglu, Etienne Chambaud, Audrey Cottin, Torreya Cummings, Gintaras Didziapetris, Cerith Wyn Evans, Michael Fliri, Mark Geffriaud, Fabien Giraud & Raphaël Siboni, Loris Gréaud, Graham Gussin, Will Holder, Pierre Huyghe, Joachim Koester, Gabriel Lester, Jennifer Di Marco, Patrizio Di Massimo, Nicholas Matranga & Francesca Bennet, Piero Passacantando, Cesare Pietroiusti, Matthew Shannon, Snowden Snowden, Gareth Spor, Maryelizabeth Yarbrough, Carey Young...
Other works by: » Minouk Lim
» see more
© » KADIST
Minouk Lim
2012The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Related artist(s) to: Minouk Lim » Jewyo Rhii, » Clara Kim, » Nicolaus Schafhausen, » Babak Afrassiabi, » Nasrin Tabatabai, » Sarah Morris, » Shilpa Gupta, » Adrià Julià, » Erik Van Lieshout, » Saâdane Afif
» see more
© » KADIST
Saâdane Afif
2005In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
© » KADIST
Shilpa Gupta
2014These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
© » KADIST
Shilpa Gupta
2009In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...
Related works found in the same semantic group
» see more
© » ARTS EQUATOR
AExGTF Chats: The Griffith Creative Arts Room at George Town Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints https://artsequator.com/wp-content/uploads/2018/08/GTF-Griffiths-Creative-Arts-Room.mp4 August 16, 2018 The opening weekend of the George Town Festival 2018 also saw the opening of the Griffith Creative Arts Room at Wisma Yeap Chor Ee, Penang: a room dedicated to presenting the works of creative arts from the students and faculty of Griffith University, Queensland, Australia...
© » KADIST
LaToya Ruby Frazier
2011LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...
© » ARTS EQUATOR
"The Misinterpreted Futures of George Town 2068": Missing Futures | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tan Thian Chang September 27, 2018 By Akanksha Raja (960 words, four-minute read) Prior to stepping into the mystifying world of The Misinterpreted Futures of George Town 2068 , I was curious and fascinated by that science-fictioney title, coupled with the exciting premise of a performance with no performers: the technical elements of the show (lights, sound design, video projections) perform in lieu of human bodies...
© » ARTS EQUATOR
Cambodia Town Film Festival presents perspectives beyond ‘Crazy Rich Asians’ (via Long Beach Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 17, 2018 Kilong Ung was just a teenager when the Khmer Rouge overtook his hometown of Battambang in Cambodia...