Dimensions variable.
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community. An important town during the colonial era as the main port on the Magdalena River, Honda is presently rife with poverty, unemployment, and environmental deterioration. Here he produced the work Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks) , a variable arrangement of cut glasses in front of a mirror so that they appear whole. The title, a popular euphemism taken literally, affirms the impossibility of knowing another person’s experience. In a mirror reflection the glasses appear to be complete, manifesting an innate human paradox: a reflection of unity, but only as reversed projection or doubling.
Nicolás Consuegra (b. 1976, lives in Bogotá) explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts.
                                    
                                    On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
                                    
                                    Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
                                    
                                    With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
                                    
                                    To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
                                    
                                    Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...
                                    
                                    War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
                                    
                                    Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
                                    
                                    Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
                                    
                                    With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
                                    
                                    The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
                                    
                                    Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
                                    
                                    The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
                                    
                                    Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
                                    
                                    The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
                                    
                                    In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
                                    
                                    Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
                                    
                                    Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
                                    
                                    In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
                                    
                                    The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...