Moving Target Shadow Detection
2022 - Film & Video (Film & Video)
18:55 minutes
Sung Tieu
Modelled and rendered in 3D, Moving Target Shadow Detection by Sung Tieu reconstructs the entire interior of the Hotel Nacional de Cuba in Havana, the site of the first-known instance of a supposed sonic attack, which collectively became known as ‘Havana Syndrome’. First reported by CIA staff in the Cuban capital in 2016, the syndrome includes a range of unexplained disorders ranging from nausea, fatigue and memory loss to brain injuries resembling concussions. In Tieu’s film, CCTV camera footage and images taken by a nano drone lead from the hotel’s lobby to an occupied hotel room, where the viewer is confronted with classified documents and news reportages of the recent Havana Syndrome attacks around the world. Exploring timely questions relating to information systems, surveillance, as well as sonic and psychological warfare, the film problematizes the recent evolution in military technologies and how these silent advancements continue to expand their pervasive presence, causing a multitude of yet unknown effects.
Sung Tieu’s artistic vocabulary explores the vast and evolving protection and control industries, still rooted in the logic of the Cold War, used to restrict and mould subjects in subsequently globalized capitalism. Her works are informed by her own experience of cultural collision and displacement, as a Vietnamese refugee in Germany. Within her exhibitions, a sense of dislocation is evoked through a combination of sonic, visual, and textual elements; at the same time, her extensive research on sonic weaponry and sound as medium accentuates the work, demystifying and highlighting their material mechanics. In an era in which politics everywhere is being rendered by polarisation, fake news and foreign electoral intervention, Tieu’s takes us back to Cold War tactics, construction of fear and paranoia; the genesis of such psychological warfare.
Colors:
Related works sharing similar palette
© » KADIST
Chen Zhexiang
2021In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet...
© » ARTS EQUATOR
The brutal examinations of "Constellation of Violence" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 8, 2019 By Patricia Tobin (561 words, 4-minute read) Constellation of Violence consists of a very simple setup: a giant screen on stage, a historian, two artists and a group of individuals...
© » ARTS EQUATOR
"The Misinterpreted Futures of George Town 2068": Missing Futures | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tan Thian Chang September 27, 2018 By Akanksha Raja (960 words, four-minute read) Prior to stepping into the mystifying world of The Misinterpreted Futures of George Town 2068 , I was curious and fascinated by that science-fictioney title, coupled with the exciting premise of a performance with no performers: the technical elements of the show (lights, sound design, video projections) perform in lieu of human bodies...
© » KADIST
Arash Fayez
2021The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing...
© » ART & OBJECT
Zaha Hadid Architects Unveil Hydrogen Refueling Station, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Jonas Bendiksen
2021For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
© » KADIST
Anthony McCall
1973The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
© » KADIST
Tony Cokes
2022Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
© » EYE OF PHOTOGRAPHY
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
© » KADIST
Caroline Monnet, Mobilize A screening program followed by the artist in with conversation with Adam Piron, Assistant Curator for Film at LACMA Montreal-based artist Caroline Monnet explores Indigenous identity, bicultural living, and complex cultural histories through photography, sculpture, film, video, and installation...
© » KADIST
Colectivo Los Ingrávidos
2017The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
