Mosaic Collage (Fang Banger)

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

Got Your Back by Gisela McDaniel depicts two women of color from different ethnic backgrounds who share similar violent experiences...

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

November 8 – December 16, 2023...

Be-side(s) work; a gathering of thoughts with artist Em’kal Eyongakpa, curator Amal Alhaag, publisher Giulia Brivio and friends Published in November 2014, The publication Be-side(s) works is an archive within an artwork...

Howardena Pindell on the Exclusion of Black Artists in the 1980s – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 14, 2021 1:13pm ©ARTnews Over the past several years, museums and galleries have made concerted efforts to show work by Black artists, responding to growing calls for equity...

Francesco Merlini – Better in the Dark than His Rider – AMERICAN SUBURB X Skip to content In sleep or in wakefulness, we are inhabited by images...

Book Review: "The State and The Arts in Singapore: Policies and Institutions" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Institute of Policy Studies, Singapore April 9, 2019 By Chin Ailin (734 words, four-minute read) Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s arts and cultural policies...

50 Questions With Juergen Teller | AnOther December 13, 2023 Text Ted Stansfield Lead Image Self-Portrait with pink shorts and balloons, Paris, 2017 © Juergen Teller, All rights Reserved It’s not an overstatement to say that Juergen Teller is one of the most influential photographers working today...

Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter...

Located in Paris’s former stock exchange building, the Tadao Ando–designed Bourse de Commerce will display Kering founder François Pinault’s art collections to the public...

Kathia St...

The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker...

Air Con: Who Do You Want To Be When You Grow Up? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 8, 2021 By Dhinesha Karthigesu (1,330 words, 5-minute read) Who do you want to be when you grow up? At the end of the play AIR CON , the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question...

In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt...

French artist’s sea-life sculptures amaze and terrify in Hong Kong exhibition at Tai Kwun | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more French artist Jean-Marie Appriou with some of his sea-life sculptures at his exhibition “Magnetic” at Tai Kwun, Hong Kong...

At home north of Miami, Serena Williams holds court in a house designed in collaboration with her sister Venus...

Many of Chaves and Gilda’s works use recycled cardboard...

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...