84 x 147 cm
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance? Can planting seeds constitute a political act? Following the Gezi uprisings in 2013, the artist noted the formation of numerous urban guerilla gardens reclaiming neglected land and the establishment of ecological farming initiatives in rural Turkey advocating for sustainable and community-supported agriculture. Interested in the different models of resistance these initiatives proposed, her work takes the form of an installation of numerous fabrics whose different sizes, textures, patterns and rhythmic surfaces introduce a mapping exercise about their stories. Mesopotamia Women’s Cooperative , 2020 For the textile associated with the initiative of Mesopotamia, the artist combines screen printed motifs of peppers — their specialty, alongside the shape of a uterus to represent the feminist model the collective adheres to (of women-only membership), which is unusual in the conservative environment of Urfa.
Asli Çavusoglu’s projects examine how cultural and historical facts are transformed, represented, and interpreted by individuals. Working across various media, Cavusoglu often assumes the role of interpreter, writer, or facilitator in her projects in order to highlight the precarious and subjective nature of our shared stories, questioning those who frame these experiences for the wider public.
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
The Big Review: Andy Warhol at the Hugh Lane Gallery, Dublin ★★★★☆ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Andy Warhol at the Hugh Lane Gallery, Dublin ★★★★☆ Andy Warhol the colourist stars in a stand-out exhibition that offers fresh perspectives on curating the world's most familiar artist Louis Jebb 8 December 2023 Share An installation shot of Andy Warhol Three Times Out at the Hugh Lane Gallery, Dublin, featuring screenprints from a 1972 Mao edition and a 1967 Marilyn (Marilyn Monroe) edition and Brillo Boxes ( 1968) in wood, paint and silkscreen ink © 2023 The Andy Warhol Foundation for the Visual Arts, Inc...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor...
Rotation presents the image of a crowd, a re-appropriation of 19th or beginning of 20th century photographs published in newspapers and magazines...
How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance? Can planting seeds constitute a political act? These questions mark the starting point of Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu (Istanbul, 1982)’s first solo exhibition in France which stems from her residency at KADIST in the beginning of 2020...
Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? | Londonist Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? By M@ M@ Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? Image: Global Street Art If you walk down Mare Street in Hackney, you might get the feeling someone is watching you...
Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land...