Men (055, 065)

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

Arms & Legs (Specif...

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...

This work is based on a temporal loop in which the stories of several duets coexist and interfere with each other...

“Watching the films of Omer Fast confounds our expectations of the medium...

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...

Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...

The two large-scale stereoscopic photographs in That’s That’s Alright Alright Mama Mama depict a recreation of Elvis Presley’s recording studio in Memphis, Tennessee...

Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...