Men (055, 065)
2012 - Photography (Photography)
Elad Lassry
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits. It is unclear if these subjects are related, despite the obvious doubling of visual cues, and Lassry offers few hints to suggest that these men have any association beyond their sitting for the same picture. By extension, Lassry subverts conventions in portrait photography by identifying his subjects with numbers, erasing the familiarity inherent in the act of naming, Men (055, 065) functions as an anti-portrait in which anonymity supplants intimacy. In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions.
Elad Lassry explores how visual languages are constructed across multiple disciplines and media. His larger body of work responds to the relationship between artistic mediums and their forms, and his prints question familiar modes of viewership and our continuous desire to find and identify clear narratives in photographs. Lassry utilizes both found photographs and original compositions in his work, a juxtaposition that challenges notions of authorship and attribution. By emphasizing how photographic images are deliberately staged and constructed, Lassry destabilizes notions that photographs depict and document “the real.” In foregrounding the image as object, he also suggest that the photograph only provides a referent for a presence that “has-been” but that no longer exists in the current moment. Born in Israel, Lassry earned his BFA in film from the California Institute of Arts in 2003 and his MFA from the University of Southern California in 2007.
Colors:
Related works of genres: » israeli photographers, » israeli contemporary artists
» see more
© » KADIST
Yael Bartana
2006Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
© » KADIST
Yael Bartana
2007Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
Related works featuring themes of: » Appropriation Art, » Black-and-White Photography, » Calarts, » Color Photography, » Israeli
» see more
© » KADIST
John Baldessari
1991The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
© » KADIST
Tony Oursler
2012Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
© » KADIST
Mario Garcia Torres
2010In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
Other related works, blended automatically
» see more
© » KADIST
Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
© » KADIST
John Baldessari
1991The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
© » KADIST
Wong Hoy Cheong
2009Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Related works sharing similar palette
» see more
© » DIANE PERNET
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
© » KADIST
Kitty Kraus
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...
© » THE INDEPENDENT
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
Other works by: » Elad Lassry
» see more
© » KADIST
Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
© » KADIST
Elad Lassry
2013In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Related artist(s) to: Elad Lassry » Rachel Harrison, » Andy Warhol, » Jimmie Durham, » Lisa Oppenheim, » Aaron Curry, » Amanda Ross-Ho, » Ana Teixeira Pinto, » Chris Sharp, » Chris Wiley, » Claes Oldenburg
» see more
© » KADIST
Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
© » KADIST
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
© » KADIST
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
© » KADIST
Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Related works found in the same semantic group
» see more
© » KADIST
Akram Zaatari
1972“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...
© » LENS CULTURE
Men Untitled - Photographs by Carolyn Drake | Book review by Rebecca Horne | LensCulture Book review Men Untitled In this challenging exploration of masculinity and patriarchal privilege — through portraits, object studies and nudes — Carolyn Drake performs an exorcism of male power, where empathy and violence collide...
© » 1854 PHOTOGRAPHY
Shirin Neshat: ‘Since I was a child, I've been very afraid of men in uniform’ - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from The Fury, 2023 © Shirin Neshat...