<span data-sheets-value="{"1":2,"2":"14:22 minutes"}" data-sheets-userformat="{"2":15297,"3":{"1":0},"9":0,"10":1,"11":0,"12":0,"14":{"1":2,"2":0},"15":"Calibri","16":9}" style="font-size:9pt;font-family:Calibri, Arial;">14:22 minutes</span>
Set in the haunting space of an ex-colonial rubber plantation in Central Vietnam, Phuong Linh Nguyen’s film Memory of the Blind Elephant is a tender portrait of the complex economies of interspecies trauma and resilience in the face of continued extraction and destruction. Formerly present in the coronation of Potau Apui (the Jarai King of Fire), in Dr. Yersin’s exploratory crew during the colonial period, and now a major draw for tourists, the figure of the elephant is ailing, grievous, as though haunting its habitat. Intrigued by the reality she observed, Phuong Linh gathered, documented, altered, repositioned the local materials of ceaseless exploitation of natural resources: raw rubber, ferrosols, and aluminium to assert a critical proposition.
Phuong Linh Nguyen’s multidisciplinary practice spans video, sculpture and installation. Her practice is concerned with geographic cultural shifts, traditional roots, and the splintered history of Vietnam. Tracing a complex network of ethnicities, religions, and cultural and geo-political influences. Her works contemplate visible versus invisible truths, form and time, and conveys a pervasive sense of alienation, dislocation, and the ephemeral. Nguyen Phuong Linh often travels for field research and to collect artifacts from historical sites of exchange. She transforms these materials in order to construct alternative perspectives and interpretations of fragmented histories, personal narratives, and memories.
Vishal Jugdeo, VQUEERAM / EPISODES Screening and presentation, followed by a discussion with artist and scholar, Tina Takemoto The experimental documentary video portrait VQUEERAM (2016–ongoing) is part of a collaborative project initiated by Los Angeles-based artist Vishal Jugdeo with Vikram “Vqueeram” Aditya Sahai, a poet, activist, and teacher based in New Delhi, India...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Weekly Southeast Asia Radar: Art in the time of COVID-19 and more | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Philippine Daily Inquirer March 19, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...
The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined...
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region...