Memorial for intersection #2
2013 - Sculpture (Sculpture)
Amalia Pica
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013). When read as A intersection B intersection C, this piece references the fact that, during the last dictatorship in Argentina (1976–83), the military junta forbade Venn diagrams, and the related concept of intersection, from being taught in elementary schools, because they were viewed as potentially subversive. In A ? B ? C , Pica invited performers to manipulate translucent, colored Perspex shapes, producing new configurations that used the idea of intersection to reimagine collaboration and community. This work enacts the very role that its title suggests, asking how a performance can become a sculpture. The structure transforms the original human performative gestures into cold, stylized frames that indeed memorialize something that was once living. If most memorials are monuments—that is, embedded in rich substrata of symbolic references—then Memorials for intersections are delicate and literal tributes to the truisms of math. Borrowing from minimalist and constructivist traditions, the memorials are simple, almost sophomoric, in the directness of their shapes and colors. While fixed in place, the transparent geometric panels hanging on the frame shift in tone throughout the day, responding to changes in light and reverberating with the live actions that led to their conception.
Amalia Pica describes herself as an outsider, in the sense that she is an Argentine artist living and working in an art world that is still largely dominated by the same nations that colonized the globe centuries ago. But Pica is not the kind of outsider who stands by sullenly and criticizes; she’s more like the quirky character spouting wit and wisdom from the peripheries of the stage. Her works often engage with the idea of being out of place and out of time—staging the aftermath of a celebration rather than the party itself, for example—all the while maintaining an attitude of bemused observation.
Colors:
Related works sharing similar palette
© » ANOTHER
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
© » KADIST
Guadalupe Rosales
202290022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...
© » CONTEMPORARYAND
Baloji and the Art of Averting the Evil Eye | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Baloji and the Art of Averting the Evil Eye Musician, filmmaker, and multitalented artist Baloji talks to C& about his first feature film and how the diasporic relationship gives access to an imaginary world that breaks free from shackles...
© » KADIST
Abigail Reyes
2016The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...
© » KADIST
Prajakta Potnis
2020he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element...
© » KADIST
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
© » SLASH PARIS
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Martha Wilson — Invisible, Works on Aging (1972-2022) Exhibition Photography Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Ends in 7 months: July 1, 2023 → February 4, 2024 The Frac Sud is pleased to present a major solo exhibition in France by Martha Wilson, a pioneering figure and guiding light of feminist engagement through art...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
© » KADIST
Douglas Gordon
2002Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
© » KADIST
Emeka Okereke
2018Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria)...
© » KADIST
Zarouhie Abdalian
2010The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
© » KADIST
Haig Aivazian
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
© » KADIST
Ei Arakawa and Sergei Tcherepnin
2011Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...