Mémoire promise #4
2016 - Drawing & Print (Drawing & Print)
70 x 100 cm
Nidhal Chamekh
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013. In the series, the artist persistently dissects, examines and describes his experiences and memories of his family and life in Tunis, Tunisia. As underlined by poet Arafat Sadallah, the artist draws eyes and gazes of unachieved portraits, hands and arms of a skeleton—figures disappear but they witness and testify. In writing on the work Sadallah writes: “Life is unachievable, infinite, torn. However at moments broken, ruptured. And through these ruptures and breaks give promise to a gift of sight and the possibility to witness, to be present in the world as a witness to … what exactly? What, who and where do we witness? Perhaps one can only witness the suspense of the question.” The Mémoire Promise series questions the role of the artist as witness.
Based between his native Tunis and Paris, Nidhal Chamekh’s work is an investigation into history as a point of access to our contemporary times. Drawing on both biography and politics, his work takes the form of drawing, installation, photography and videos. His drawings demonstrate a technique that is perpetually developed and challenged through his employment of a variety tools including pencil, brush, bread, charcoal and sponge. Despite the experimental application method, his execution is precise in its pursuit to replicate and observe reality. His line, essentially fragmented, draws on all eras and confuses spaces and cultures. We could consider his work as a sampler of the chaos of history developing cross-sections of this chaos and constituting a kind of social and cultural archaeology that renders the historical complexity of images perceptible.
Colors:
Related works sharing similar palette
© » SLASH PARIS
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris Login Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back 40 ans du Frac ! — Gunaikeîon Exhibition Mixed media Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Ends in 2 months: October 15, 2023 → February 24, 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
© » KADIST
Lydia Gifford
2011Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...
© » KADIST
Shahryar Nashat
2015Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter...
© » IGNANT
Designing Tranquility — Inside The Minimalist World Of Isern Sera And Valeria Vasi - IGNANT Name Isern Sera · Valeria Vasi Images Monika Mroz Words Monika Mróz Spanning his interior work from residential to exhibition design, Isern Serra conveys minimalism with a human face in every space he designs...
© » KADIST
Jason Meadows
2009The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
© » HYPERALLERGIC
50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...
