In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system.
For Colombian artist Miguel Ángel Rojas, issues of economic and social inequality in his native country provide fodder to his artistic practice. Looking at the stark contrasts between the opulent lifestyles of some and the meager existences of others in Colombia, Rojas employs a range of heavily loaded materials in creating two-dimensional works, sculptures, and videos alike.
L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
In this interview, artist Pio Abad discusses his solo exhibition Kiss the Hand You Cannot Bite that draws from multiple histories of exile, resistance, and displacement from the ’70s and ’80s that brought Filipinos to California, home today to one of the largest diasporas of this community in the world...
Ukraine is under tension due to the politics of President lanoukovitch since 2010...
A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A Change of Perspective — Ndayé Kouagou Exposition Film, performance, techniques mixtes, vidéo À venir Ndayé Kouagou, A coin is a coin, 2022 © Ndayé Kouagou A Change of Perspective Ndayé Kouagou Dans 2 mois : 21 septembre 2023 → 18 février 2024 Emblématique des artistes de sa génération, Ndayé Kouagou n’établit pas de hiérarchie entre ses différentes pratiques articulées autour du langage...
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
Like many contemporary photographers who play with the codes of realism, Valérie Jouve composes her images, having already a more or less predetermined result in mind, in order to deliver a complex representation of the world instead of a bold presentation of facts...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris Login Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exhibition Drawing, publishing, film, installation.....
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...