Materia en Reposo II (Brasil)

2004 - Photography (Photography)

27,9 x 35,6 cm

Damián Ortega

location: Mexico City
location: Berlin
year born: 1967
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Damián Ortega’s work explores specific economic, aesthetic and cultural situations and in particular how regional culture affects commodity consumption. He began his career as a political cartoonist and his art has the intellectual rigour and sense of playfulness often associated with his previous occupation. He first came to wider attention with Cosmic Thing at the 50th Venice Biennale in 2003, consisting of a Volkswagen beetle dismantled and suspended from the ceiling, an ironic deconstruction of a cult object of Mexico’s consumer society.


Colors:



Related works featuring themes of: » Abstract Sculpture, » Assemblage, » Color Photography, » Consumerism, » Mexican  
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Sign series, #1, #2, #3
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Bjorn Copeland

2009

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Untitled (Ticket Roll)
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Gabriel Kuri

2010

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Other related works, blended automatically  
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Sign series, #1, #2, #3
© » KADIST

Bjorn Copeland

2009

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Untitled (Ticket Roll)
© » KADIST

Gabriel Kuri

2010

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Sound of Ice Melting
© » KADIST

Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Related works sharing similar palette  
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“8888 Uprising”: Thirty Years Later
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"8888 Uprising": Thirty Years Later | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 1, 2018 By Sharaad Kuttan (650 words, four-minute read) Despite the flash of contemporary retail – some garish, some tasteful – Yangon’s old-world charms prevail...

Weekly Southeast Asia Radar: The relevance of “Soi Cowboy”; Malaysia’s Zen Cho wins Hugo Award
© » ARTS EQUATOR

Weekly Southeast Asia Radar: The relevance of "Soi Cowboy"; Malaysia's Zen Cho wins Hugo Award | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Illustration by Jared Downing | Frontier August 20, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Saya Takut Untuk Mengkritik Sehinggalah Saya Berjumpa Sekumpulan Pengkritik: Refleksi Terhadap AAMR
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Saya Takut Untuk Mengkritik Sehinggalah Saya Berjumpa Sekumpulan Pengkritik: Refleksi Terhadap AAMR | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hello I'm Nik on Unsplash July 22, 2021 Oleh Sukhbir Cheema dan diterjemah oleh Fasyali Fadzly Bila anda mendengar perkataan “pengkritik”, apakah yang anda bayangkan? Saya sering membayangkan orang yang pakai cermin mata; ulat buku, sangat serius, dan payah untuk puaskan hatinya...

Getting Creative: Beginner Tips for Learning Guitar
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Getting Creative: Beginner Tips for Learning Guitar Home » Getting Creative: Beginner Tips for Learning Guitar LIFESTYLE Nov 13, 2023 Ξ Leave a comment Getting Creative: Beginner Tips for Learning Guitar posted by Kelly Schoessling Learning to play an instrument takes a lifetime of effort, no matter what type of music you’re interested in...

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America
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Minerva Cuevas

2006

During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...

Until It Makes Sense
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Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

Untitled (series)
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Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Related artist(s) to: Damián Ortega » Anish Kapoor, » Carlos Amorales, » Damien Hirst, » Gary Hume, » Jeff Wall, » Olafur Eliasson, » Sergey Bratkov, » Subodh Gupta, » Abraham Cruzvillegas, » Akram Zaatari  
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Pipe Opening
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Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

From Useless Wonder 04
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Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Why fear the future?
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Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...