27,9 x 35,6 cm
Damián Ortega’s work explores specific economic, aesthetic and cultural situations and in particular how regional culture affects commodity consumption. He began his career as a political cartoonist and his art has the intellectual rigour and sense of playfulness often associated with his previous occupation. He first came to wider attention with Cosmic Thing at the 50th Venice Biennale in 2003, consisting of a Volkswagen beetle dismantled and suspended from the ceiling, an ironic deconstruction of a cult object of Mexico’s consumer society.
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Weekly Southeast Asia Radar: The relevance of "Soi Cowboy"; Malaysia's Zen Cho wins Hugo Award | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Illustration by Jared Downing | Frontier August 20, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
His untitled paintings express his concern regarding perception in abstract form...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
“In the 1980s I started using coloured paper backdrops, one of which was yellow...