104.14 x 58.42 x 1.91 cm.
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition. Masks is an exhaustive and fragmented documentary project that intimately depicts one of the world’s most powerful women with an entirely new set of images that disappear the closer you approach. In this way, it takes the conventions of ethnographic imagery to a posthuman dimension by amplifying a constituent part of the complete subject of “Angela Merkel” to the point of unrecognizability.
The intersection of identity, memory, and history is taken up in Simon Fujiwara’s complex multimedia practice. The British-Japanese artist takes real world structures, thoughts, and events as his subject, constructing idiosyncratic narratives that emerge from these miasmatic creations. This work chronicles current conditions even as they demand attention in their capricious, oftentimes uncomfortable forms. While his practice borders on anthropological in its examinations, the products that derive from his work often turns their speculation towards the work’s viewership, who become affectively compelled to examine their own subjectivity in interacting with Fujiwara’s oeuvre.
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
6pm – Les Statues Meurent Aussi (1953) 7pm – It for Others (2013) The second in a monthly series of double features exploring the relationship between cinema and contemporary video and performance art, Kadist screens Chris Marker and Alain Resnais’ 1953 film, Les Statues Meurent Aussi (Statues Also Die) (1953) and Duncan Campbell’s Turner Prize -winning film It for Others (2013)...
All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...