104.14 x 58.42 x 1.91 cm.
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition. Masks is an exhaustive and fragmented documentary project that intimately depicts one of the world’s most powerful women with an entirely new set of images that disappear the closer you approach. In this way, it takes the conventions of ethnographic imagery to a posthuman dimension by amplifying a constituent part of the complete subject of “Angela Merkel” to the point of unrecognizability.
The intersection of identity, memory, and history is taken up in Simon Fujiwara’s complex multimedia practice. The British-Japanese artist takes real world structures, thoughts, and events as his subject, constructing idiosyncratic narratives that emerge from these miasmatic creations. This work chronicles current conditions even as they demand attention in their capricious, oftentimes uncomfortable forms. While his practice borders on anthropological in its examinations, the products that derive from his work often turns their speculation towards the work’s viewership, who become affectively compelled to examine their own subjectivity in interacting with Fujiwara’s oeuvre.
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...
6pm – Les Statues Meurent Aussi (1953) 7pm – It for Others (2013) The second in a monthly series of double features exploring the relationship between cinema and contemporary video and performance art, Kadist screens Chris Marker and Alain Resnais’ 1953 film, Les Statues Meurent Aussi (Statues Also Die) (1953) and Duncan Campbell’s Turner Prize -winning film It for Others (2013)...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...
Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...