Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities. When installed, viewers are invited to fill out and mail a postcard to any destination, an act which parallels the dissemination and global circulation of image, text, and the idea of place.
Rivane Neuenschwander’s work foregrounds its inventive use of materials, often altering and manipulating them in novel ways: snails eat through rice paper, fish carry pieces of love letters, and prayer ribbons leave on museum visitors’ wrists. All of her projects—which are comprised of photography, film, or installation—refer back to cycles of human interaction, consumption, and sentiment.
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
Lam Tung Pang created Sketches from train ride Chicago to San Francisco during his travels through the United States researching American curatorial strategies for representing traditional Chinese painting in museums and cultural institutions...
Dealer Johann König opens second Berlin gallery in former telegraph office Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Commercial galleries news Dealer Johann König opens second Berlin gallery in former telegraph office This is the first König space to launch since a number of artists left the gallery's roster last year Catherine Hickley 14 December 2023 Share König Telegraphenamt is located on Museum Island in Berlin Courtesy of König Galerie The Berlin dealer Johann König is tomorrow opening a new gallery next to the city’s Museum Island in a building that once housed the postal service’s telegraph office...
Podcast 92: Critics Live: OIWA by The Finger Players at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited July 3, 2021 Critics Alice Saville (UK), Amitha Amranand (TH), Matthew Lyon (SG) and Taisuke Shimanuki (JP) discuss OIWA: The Ghost of Yotsuya by The Finger Players, presented at Singapore International Festival of the Arts (SIFA)...
Art Basel Hong Kong shaping up to be biggest in years, with 242 exhibitors signed up | South China Morning Post Advertisement Advertisement Hong Kong economy + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Art Basel Hong Kong will welcome 242 galleries for its fair next year, organisers have said...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Institutional failure, Trump’s Agenda, and Meme-Driven Conservative Movements: A Talk with Nayland Blake About AFC Board AFC Editions Donate Art F City Institutional failure, Trump’s Agenda, and Meme-Driven Conservative Movements: A Talk with Nayland Blake by Paddy Johnson and William Powhida on June 29, 2020 Explain Me + Podcast Tweet Boogaloo Boys show off posters supporting Trump at a demonstration Artist Nayland Blake joins the podcast to discuss the murder of George Floyd at the hands of a white police officer, mass protests, and the resurgence of COVID as the backdrop for public art and how museums are addressing diversity...
In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation...