25 x 20 cm
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe. A change in the understanding of nature challenges the understanding of our own natures. The visual metaphor of the human hand enmeshed and inextricably entangled with leaves suggests that humans cannot be divorced from nature, and moreover that they are always engaging with the problematic of overtaking nature or being overtaken by it. Each technological advance modifies our understanding of both natures, from the ancient Greek notion of physis to the current multiverse of human history.
Daniel Steegmann Mangrané was born in 1977 in Barcelona. He lives and works between Rio de Janeiro and São Paulo. Daniel Steegmann Mangrané’s practice involves various mediums and creates subtle, poetic, but inevitably raw experiments that question the position of language in the world. Although primarily conceptual in nature, his installations engage the imagination of the spectator and display a strong concern with the existence and features of concrete objects. Steegmann Mangrané activates abstract language as a thought-generating principle that articulates unstable meanings. Of equal importance to his work is the question of circulation and exchange between the body and the natural environment.
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Prix Marcel Duchamp — 2024 Exhibition Mixed media Upcoming Prix Duchamp 2024 © ADIAF, photographies : DR Prix Marcel Duchamp 2024 In 8 months: October 12, 2024 → January 12, 2025 Dates et lieu d’exposition provisoires L’ADIAF a dévoilé le 10 janvier 2024 les noms des quatre artistes en lice pour la 24ème édition du Prix Marcel Duchamp, prix majeur de l’art contemporain en France venant célébrer les artistes en milieu de carrière...
Japan’s trailblazing conductor Seiji Ozawa dies from heart failure at 88 | South China Morning Post Advertisement Advertisement Japan + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Former director of the Boston Symphony Orchestra Seiji Ozawa conducts during a rehearsal on November 26, 2008...
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
New Ground — Alternative Photography in Dialogue with 19th Century Painting - Photographs by Abelardo Morell | Exhibition review by Rebecca Horne | LensCulture Feature New Ground — Alternative Photography in Dialogue with 19th Century Painting Following in the footsteps of Monet and Van Gogh, Abelardo Morell took his DIY tent camera to the fabled French landscapes of Giverny and Arles in search of a new view...
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals...
Forget Tamales: Venezuelan Hallacas Are the Best Christmas Dish | KQED Skip to Nav Skip to Main Skip to Footer ¡Hella Hungry! Sorry, Tamales: Venezuelans Say Hallacas Are the Ultimate Christmas Dish Alan Chazaro Dec 15 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Victor Aguilera demonstrates his technique for tying up Venezuelan hallacas at a KQED live event on Dec...
Executed on Sunday 17 August 2013, “Zonnebloem renamed” is a site-specific performative video film marking the centenary of the 1913 Natives Land Act in South Africa...