10:20 minutes
biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism. The title of their video work Mandacura is a corruptela (a linguistic distortion on writing or pronunciation) of the Portuguese sentence Mão da Cura (Healing Hand), distorting Portuguese into what sounds as Brazilian Afro-Indigenous. Inspired by and using the music and poetry of Alberto Marques, and drawing sources from archival images, webcam videos, screenshots, gifs and memes, the video asks: What provokes our feelings toward society, history, culture, and the future? How do we need our Gods? What are they trying to tell us? Is what society has done to our ancestral people and knowledge a sign of an ending? Alberto Marques’ poem: The hand of cure is always attentive and always feeding our bodies with prayers with prices with deadlines proceedings with prizes with postures promises assumptions with primes primaries with nails auctions The hand of peace is always feeding our bodies with arms with squares with chats presences with prisms with claps feats poems with steps promenades with bridges lungs
biarritzzz is a Brazilian artist who inserts epistemological conversations through mass communication, specifically on and from the internet. The hybridity in the materialization of their production of aesthetic thought reflects the current moment, in relation to the dissolution of the separate fields of visual arts, music, digital art, and other artistic and cultural forms and production. The strategies that biarritzzz uses, such as their interest in gifs and memes, puts into question the circulation of knowledge in Western genealogies and the legitimacy of certain kinds of mediums—particularly writing.
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Podcast 85: Singapore Theatre, Year in Review | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 14, 2020 In our end-of-year roundup, Nabilah Said, Naeem Kapadia and Matt Lyon take stock of the year in Singapore theatre, alongside guests Lee Shu Yu from Centre 42 and Max Yam from Arts Republic...
Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes...
Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien January 13, 2022 Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances...
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...
ArtsEquator’s Hot List: March 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 3, 2021 Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month...
To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Indiscreet Units by Harm van den Dorpel is a group of more than 266 hue-rotating flags, stored on the Ethereum blockchain and IPFS...