10:20 minutes
biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism. The title of their video work Mandacura is a corruptela (a linguistic distortion on writing or pronunciation) of the Portuguese sentence Mão da Cura (Healing Hand), distorting Portuguese into what sounds as Brazilian Afro-Indigenous. Inspired by and using the music and poetry of Alberto Marques, and drawing sources from archival images, webcam videos, screenshots, gifs and memes, the video asks: What provokes our feelings toward society, history, culture, and the future? How do we need our Gods? What are they trying to tell us? Is what society has done to our ancestral people and knowledge a sign of an ending? Alberto Marques’ poem: The hand of cure is always attentive and always feeding our bodies with prayers with prices with deadlines proceedings with prizes with postures promises assumptions with primes primaries with nails auctions The hand of peace is always feeding our bodies with arms with squares with chats presences with prisms with claps feats poems with steps promenades with bridges lungs
biarritzzz is a Brazilian artist who inserts epistemological conversations through mass communication, specifically on and from the internet. The hybridity in the materialization of their production of aesthetic thought reflects the current moment, in relation to the dissolution of the separate fields of visual arts, music, digital art, and other artistic and cultural forms and production. The strategies that biarritzzz uses, such as their interest in gifs and memes, puts into question the circulation of knowledge in Western genealogies and the legitimacy of certain kinds of mediums—particularly writing.
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
Hauser & Wirth and Nicola Vassell Unveil New Partnership Model – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All November 28, 2023 4:00pm Amapiano Dance , 2022-2023, Uman, Acrylic, oil and oil stick on canvas in artist's frame, 62 5/8 x 62 5/8 in...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien January 13, 2022 Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Podcast 100: Singapore Theatre Year In Review | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 29, 2021 Listen as speakers Ke Weiliang, Lee Shu Yu, Matt Lyon, Nabilah Said and Naeem Kapadia share their thoughts about Singapore theatre in 2021, including observations and shows they found memorable...
In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...
OPEN CALL: Southeast Asian Arts Censorship Documentation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 16, 2021 ArtsEquator invites applications for the position of Researcher for a regional arts censorship documentation and publication project it is piloting...
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...