10:20 minutes
biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism. The title of their video work Mandacura is a corruptela (a linguistic distortion on writing or pronunciation) of the Portuguese sentence Mão da Cura (Healing Hand), distorting Portuguese into what sounds as Brazilian Afro-Indigenous. Inspired by and using the music and poetry of Alberto Marques, and drawing sources from archival images, webcam videos, screenshots, gifs and memes, the video asks: What provokes our feelings toward society, history, culture, and the future? How do we need our Gods? What are they trying to tell us? Is what society has done to our ancestral people and knowledge a sign of an ending? Alberto Marques’ poem: The hand of cure is always attentive and always feeding our bodies with prayers with prices with deadlines proceedings with prizes with postures promises assumptions with primes primaries with nails auctions The hand of peace is always feeding our bodies with arms with squares with chats presences with prisms with claps feats poems with steps promenades with bridges lungs
biarritzzz is a Brazilian artist who inserts epistemological conversations through mass communication, specifically on and from the internet. The hybridity in the materialization of their production of aesthetic thought reflects the current moment, in relation to the dissolution of the separate fields of visual arts, music, digital art, and other artistic and cultural forms and production. The strategies that biarritzzz uses, such as their interest in gifs and memes, puts into question the circulation of knowledge in Western genealogies and the legitimacy of certain kinds of mediums—particularly writing.
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
ArtsEquator’s Hot List: March 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 3, 2021 Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month...
Coproduced between KADIST and Sharjah Art Foundation in the context of Sharjah Biennial 15: Thinking Historically in the Present , Farah Al Qasimi’s Um Al Dhabaab (Mother of Fog) challenges colonial myths upheld by Western academia and the lingering imperialist interests at play across Asia’s modern-day trade hubs...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
Statistically Speaking: What the data says about arts audiences in Singapore and Australia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 27, 2021 On Thursday, 28 January 11am-12.30pm (GMT +8), representatives from Singapore’s National Arts Council (NAC) and the Australia Council for the Arts will discuss audience attitudes towards the arts in their respective countries in the webinar titled “Statistically Speaking: Analysing Arts Audience Engagement in Singapore and Australia”...
Watch the ArtsEquator Theatre Wrap Up 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 21, 2018 As 2018 draws to a close, we interview four ArtsEquator writers in rapidfire style on the highs and lows of their theatre calendar this past year...
February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books blog February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Our round-up of the latest art publications Gareth Harris 6 February 2024 Share Glenn Brown , contributors include Hans Werner Holzwarth, Taschen, 474pp, £750 (hb) This new monograph gives an in-depth overview of the work of the UK artist Glenn Brown, known for his reproductions of other artists’ works—including those byOld Masters, the greats of Modern art and science-fiction illustrators—which he transforms by radically reconfiguring their colour, orientation and size...
Podcast 100: Singapore Theatre Year In Review | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 29, 2021 Listen as speakers Ke Weiliang, Lee Shu Yu, Matt Lyon, Nabilah Said and Naeem Kapadia share their thoughts about Singapore theatre in 2021, including observations and shows they found memorable...
OPEN CALL: Southeast Asian Arts Censorship Documentation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 16, 2021 ArtsEquator invites applications for the position of Researcher for a regional arts censorship documentation and publication project it is piloting...