10:20 minutes
biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism. The title of their video work Mandacura is a corruptela (a linguistic distortion on writing or pronunciation) of the Portuguese sentence Mão da Cura (Healing Hand), distorting Portuguese into what sounds as Brazilian Afro-Indigenous. Inspired by and using the music and poetry of Alberto Marques, and drawing sources from archival images, webcam videos, screenshots, gifs and memes, the video asks: What provokes our feelings toward society, history, culture, and the future? How do we need our Gods? What are they trying to tell us? Is what society has done to our ancestral people and knowledge a sign of an ending? Alberto Marques’ poem: The hand of cure is always attentive and always feeding our bodies with prayers with prices with deadlines proceedings with prizes with postures promises assumptions with primes primaries with nails auctions The hand of peace is always feeding our bodies with arms with squares with chats presences with prisms with claps feats poems with steps promenades with bridges lungs
biarritzzz is a Brazilian artist who inserts epistemological conversations through mass communication, specifically on and from the internet. The hybridity in the materialization of their production of aesthetic thought reflects the current moment, in relation to the dissolution of the separate fields of visual arts, music, digital art, and other artistic and cultural forms and production. The strategies that biarritzzz uses, such as their interest in gifs and memes, puts into question the circulation of knowledge in Western genealogies and the legitimacy of certain kinds of mediums—particularly writing.
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Artistic Freedom Report : Six Countries, 12 Years, 652 Violations | ArtsEquator Skip to content The key findings and analysis of violations of artistic freedom in Malaysia, Thailand, Indonesia, Vietnam, Cambodia and The Philippines from the Southeast Asian Arts Censorship Database Project, 2010-2022...
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe...
Drinks at 6pm, talk at 7pm What is the mirror effect between landscape and technology, and how do different perspectives and approaches affect our mental images of landscapes? On the occasion of the collaborative exhibition Landscape: the virtual, the actual, the possible? at YBCA, co-curators Betti-Sue Hertz, Ruijun Shen, and Xiaoyu Weng invite some of the artists in the exhibition to reflect on their individual relationships with and conceptions of landscape....