10:39 minutes
The film Man and Gravity follows the journey of a man in an old, beaten motorcycle, struggling to transport his possessions through a mountainous landscape. At times riding swiftly and at times caught in a bind, we witness the man fighting against gravity and the roughness and irregularity of the terrain. The film draws on the artist’s own Buddhist beliefs, referencing the writings of ascetic Thai philosopher Buddhadasa Bhikkhu, who uses the concept of gravity as a metaphor for karma and destiny. The man’s attempt to win over gravity, pushing and maneuvering in and out of ditches while holding the weight of his possessions, speaks of the invisible forces we must all work against, and symbolizes the struggle to fulfil his (and our own) destiny.
Jakrawal Nilthamrong is a Thai artist and filmmaker who came to prominence for his unconventional approach to filmmaking. Conceptually, Nilthamrong interweaves Thai and Indian religious notions and practices which embody the complexity and imaginative capacity of the subject and viewer. From short films and documentaries to video installations and feature films, his works often incorporate concepts from Buddhism and East Asian philosophies, which acquire new meanings when revisited in a contemporary context. Nilthamrong’s approach is experimental with a purely cinematic language and surrealist aspects, his cinematic narratives investigate the idea of global change, questioning the idea of a human-centered worldview. Influenced by surrealist figures such as Salvador Dalí and Luis Buñuel, Nilthamrong’s films are characterized by their enigmatic nature, lack of a linear narrative, and their use of the non-sequitur. Some of the recurring themes in his work include karma, reincarnation and destiny, drawing on his own beliefs as a practicing Buddhist in order to explore painful events in Thailand’s history and their resulting trauma. The results are perplexing and complex films that follow their own internal logic and defy easy interpretation, slipping between past and present, the real and the imagined.
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...
Baudelaire’s latest film, Also known as Jihadi (2017) tells the story of a young French boy from Parisian suburbs and his assumed journey to the Al-Nusra front in Syria to join ISIS and fight Bashar al-Assad’s regime...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
In order to make If I dig a very deep hole (2007) the artist looked for the extreme geographical opposite of Paris when drawing a straight line throughout the globe...
Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...
Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
Phinthong provided 5,000 Euros to exchange for Zimbabwean dollars, the most devalued and worthless currency in the world...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...