Making Fantasies animates scenes based upon photographs by Nan Goldin, Larry Sultan, Richard Billingham, Yasuyoshi Chiba and famous photojournalism images such as Jeff Widener’s photograph of Tiananmen Square and Kevin Carter’s photograph of a Sudanese child being stalked by a vulture. By fabricating narrative and aesthetic connections between the images on three channels, Pei-Shih questions the objectivity and truth telling of photography.
Taiwanese artist Pei-Shih Tu makes animated videos using stop motion, cutting, pasting, and collaging. She uses jerky animated movements and fantasy-like versions of the real world to express her view that our modern perception of reality itself a fiction created by the desire to escape real life. She studied at Goldsmiths College in London. Her work has been exhibited internationally at numerous film festivals and exhibitions.
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
New Jo de Pear Caribbean Print collection – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Jo de Pear is a British Printmaker whose recent work has focused on the flora and fauna of the island of Antigua where she spends several months of the year living and working...
Cosmic Mumbo Jumbo, a screening program curated by Erin Christovale, followed by a conversation between the curator and Ra Malika Imhotep Cosmic Mumbo Jumbo is anchored in the esoteric musings of Snake Doctor, an artist, philosopher, and public figure in his Leimert Park neighborhood of Los Angeles...
Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Sara Cwynar’s composite photographs of found objects and images court feelings of time passing...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...