Variable dimensions
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space. Presented as a seven-channel video installation, Making Chinatown is an immersive viewing experience with different scenarios, lines of conversation, and background music, all merged together into one space where the sense of time collapses. The ending fades to black with no reference of the original film’s site, precisely echoing the fictional nature of Chinatown as a no-place, constructed in an often-detached cultural context.
Ming Wong’s practice has a profound connection with world cinema. Constantly drawing from classic films, Wong investigates issues around identity, linguistics, translation, dislocation, and history through reenactments of well-known films. Often using a deliberately low-budget aesthetic, he restages the films by appropriating and recontextualizing the main storylines and characters. The compelling cultural imaginary created in his films brings forward and wittily satirizes the undermined codes that constitute the infrastructure of our society.
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Cuban American artist Edel Rodriguez, labelled a “worm” for fleeing Cold War Cuba in 1980, tells story of his progress from impoverished boyhood to creating alarming covers for Time magazine David D'Arcy 9 February 2024 Share The front cover of Worm © 2023 Edel Rodriguez On the cover of the graphic memoir Worm: A Cuban American Odyssey , which follows the artist and illustrator Edel Rodriguez from 1970s Cuba to the US, the author draws himself as a boy wearing the red scarf of the José Martí Pioneer Organization and a beret with a star high on his head—the attribute of no less than Ernesto “Che” Guevara...
‘All my films deal with how to live’: Wim Wenders on Herzog, spirituality and shooting a movie in 16 days | Wim Wenders | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Fast is a gift, fast is unleashed creativity’: Wim Wenders photographed in his Berlin office by Malte Jaeger for the Observer New Review...
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children...
Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Prix Marcel Duchamp — 2024 Exposition Techniques mixtes À venir Prix Duchamp 2024 © ADIAF, photographies : DR Prix Marcel Duchamp 2024 Dans 8 mois : 12 octobre 2024 → 12 janvier 2025 Dates et lieu d’exposition provisoires L’ADIAF a dévoilé le 10 janvier 2024 les noms des quatre artistes en lice pour la 24ème édition du Prix Marcel Duchamp, prix majeur de l’art contemporain en France venant célébrer les artistes en milieu de carrière...
The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Prix Marcel Duchamp — 2024 Exhibition Mixed media Upcoming Prix Duchamp 2024 © ADIAF, photographies : DR Prix Marcel Duchamp 2024 In 8 months: October 12, 2024 → January 12, 2025 Dates et lieu d’exposition provisoires L’ADIAF a dévoilé le 10 janvier 2024 les noms des quatre artistes en lice pour la 24ème édition du Prix Marcel Duchamp, prix majeur de l’art contemporain en France venant célébrer les artistes en milieu de carrière...