Variable dimensions
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space. Presented as a seven-channel video installation, Making Chinatown is an immersive viewing experience with different scenarios, lines of conversation, and background music, all merged together into one space where the sense of time collapses. The ending fades to black with no reference of the original film’s site, precisely echoing the fictional nature of Chinatown as a no-place, constructed in an often-detached cultural context.
Ming Wong’s practice has a profound connection with world cinema. Constantly drawing from classic films, Wong investigates issues around identity, linguistics, translation, dislocation, and history through reenactments of well-known films. Often using a deliberately low-budget aesthetic, he restages the films by appropriating and recontextualizing the main storylines and characters. The compelling cultural imaginary created in his films brings forward and wittily satirizes the undermined codes that constitute the infrastructure of our society.
The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Hello Guest | Login National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Monday, July 18, 2022 Americans for the Arts and its partners— New Jersey State Council on the Arts , Metro Arts: Nashville Office of Arts and Culture , Community Foundation of Sarasota County , Arts Connect International , and United Arts Council of Raleigh and Wake County —are thrilled to announce the interns selected for the 30th year of the Diversity in Arts Leadership (DIAL) program...
Weekly Picks: Malaysia (7–13 Jan 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 7, 2019 Merdekarya 6th Anniversary , at Merdekarya, 12 Jan, doors open 6pm This institution for indie music is celebrating its six anniversary with a whole host of performances, no cover charge, and free tuak mixes (until 8pm)...
Sophie Blet — Pas tout à fait vides, peut-être juste impossibles — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sophie Blet — Pas tout à fait vides, peut-être juste impossibles — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sophie Blet — Pas tout à fait vides, peut-être juste impossibles Exposition Dessin, installations, photographie, vidéo À venir Sophie Blet, dissoudre — coaguler (détail), 2021 © Sophie Blet / Adagp, Paris, 2023 Sophie Blet Pas tout à fait vides, peut-être juste impossibles Dans 5 mois : 27 avril → 18 mai 2024 commissariat : Diane Der Markarian vernissage le 27.04.24, 17h-21h exposition du 27.04 → 18.05.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de soutenir et de présenter le projet de recherche et d’exposition réunissant la commissaire d’exposition et critique d’art Diane Der Markarian et l’artiste Sophie Blet : Pas tout à fait vides, peut-être juste impossibles...
Exploring The End Of The Golden Era Of Singapore Cinema Thinking and Talking about Arts and Culture in Southeast Asia Film February 24, 2022 By ArtsEquator (1,001 words, 3-minute read) Films as a medium and art form have always possessed great potential to convey crucial messages and influence the cultural zeitgeist of their times...
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Required Reading Skip to content Everybody’s Bolos , a sumptuous display of historical and contemporary bolo ties exploring the traditionally Indigenous art form, just opened at the University of North Texas, with bolos on view including Wyatt Nestor-Pasicznyk's "A Wilder Blue" (left), Navajo/Hopi artist JJ Otero's "Land Back" (center), and Bee Reid's "Violet Body" (right)...
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...