Variable dimensions
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space. Presented as a seven-channel video installation, Making Chinatown is an immersive viewing experience with different scenarios, lines of conversation, and background music, all merged together into one space where the sense of time collapses. The ending fades to black with no reference of the original film’s site, precisely echoing the fictional nature of Chinatown as a no-place, constructed in an often-detached cultural context.
Ming Wong’s practice has a profound connection with world cinema. Constantly drawing from classic films, Wong investigates issues around identity, linguistics, translation, dislocation, and history through reenactments of well-known films. Often using a deliberately low-budget aesthetic, he restages the films by appropriating and recontextualizing the main storylines and characters. The compelling cultural imaginary created in his films brings forward and wittily satirizes the undermined codes that constitute the infrastructure of our society.
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Weekly Picks: Malaysia (7–13 Jan 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 7, 2019 Merdekarya 6th Anniversary , at Merdekarya, 12 Jan, doors open 6pm This institution for indie music is celebrating its six anniversary with a whole host of performances, no cover charge, and free tuak mixes (until 8pm)...
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Weekly Picks: Malaysia (22–28 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 22, 2018 The 11th International Kuala Lumpur Eco Film Festival 2018 , at Publika, 22–28 Oct This annual environmental film festival has been here since 2008, and grown over the years in breadth...
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century...
Required Reading Skip to content Everybody’s Bolos , a sumptuous display of historical and contemporary bolo ties exploring the traditionally Indigenous art form, just opened at the University of North Texas, with bolos on view including Wyatt Nestor-Pasicznyk's "A Wilder Blue" (left), Navajo/Hopi artist JJ Otero's "Land Back" (center), and Bee Reid's "Violet Body" (right)...
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children...
The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Biennale de Lyon — 2024 Exposition Techniques mixtes À venir © Biennale de Lyon 2024 Biennale de Lyon 2024 Dans plus d’un an : 1 septembre 2024 → 1 janvier 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Hello Guest | Login National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Monday, July 18, 2022 Americans for the Arts and its partners— New Jersey State Council on the Arts , Metro Arts: Nashville Office of Arts and Culture , Community Foundation of Sarasota County , Arts Connect International , and United Arts Council of Raleigh and Wake County —are thrilled to announce the interns selected for the 30th year of the Diversity in Arts Leadership (DIAL) program...