Variable dimensions
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space. Presented as a seven-channel video installation, Making Chinatown is an immersive viewing experience with different scenarios, lines of conversation, and background music, all merged together into one space where the sense of time collapses. The ending fades to black with no reference of the original film’s site, precisely echoing the fictional nature of Chinatown as a no-place, constructed in an often-detached cultural context.
Ming Wong’s practice has a profound connection with world cinema. Constantly drawing from classic films, Wong investigates issues around identity, linguistics, translation, dislocation, and history through reenactments of well-known films. Often using a deliberately low-budget aesthetic, he restages the films by appropriating and recontextualizing the main storylines and characters. The compelling cultural imaginary created in his films brings forward and wittily satirizes the undermined codes that constitute the infrastructure of our society.
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...