Variable dimensions
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space. Presented as a seven-channel video installation, Making Chinatown is an immersive viewing experience with different scenarios, lines of conversation, and background music, all merged together into one space where the sense of time collapses. The ending fades to black with no reference of the original film’s site, precisely echoing the fictional nature of Chinatown as a no-place, constructed in an often-detached cultural context.
Ming Wong’s practice has a profound connection with world cinema. Constantly drawing from classic films, Wong investigates issues around identity, linguistics, translation, dislocation, and history through reenactments of well-known films. Often using a deliberately low-budget aesthetic, he restages the films by appropriating and recontextualizing the main storylines and characters. The compelling cultural imaginary created in his films brings forward and wittily satirizes the undermined codes that constitute the infrastructure of our society.
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...