Making Chinatown

The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

PANGKIS by Yee I-Lann is a looped video performance...

The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...

Meeting #100 is one in a series of text works by Jonathan Monk...

The founder of one of Moscow's few private museums died in Greece....

Durjoy Bangladesh Foundation (DBF) is established to support artists and art practitioners, who offer new insights on our world and our future...

At the Modern, Artist Jammie Holmes’ Solo Exhibition Stokes a Revolution In the Everyday - D Magazine Skip to content Menu Search One brand, four magazines...

Climate Protestors Throw Soup at Monet Painting at French Museum Skip to main content By Karen K...

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

In his seven-channel video installation Making Chinatown (2012) artist Ming Wong reconstructs a Hollywood classic to complicate the relationship between identity, language and performance...

3pm, location TBA Space extremely limited, RSVP required In many Hollywood motion pictures, the image of Chinatown registers as a fleeting montage of gangster chasing, detective hunting, opium smoking, mahjong playing, red lantern flickering and pedestrian clamoring spectacle...

Laura Hyunjhee Kim for Neon Was Never Brighter: A Glimpse Into the Future For the first outdoor contemporary art festival in Chinatown, San Francisco, Neon Was Never Brighter: A Glimpse Into the Future , in collaboration with Chinatown Media & Arts Collaborative (CMAC) and curator Candace Huey, KADIST San Francisco co-presents a new performance, Cosmocrane (2022) by Laura Hyunjhee Kim...

UNHEARD: Hearing Singapore women composers loud and clear | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Jamie Chan March 3, 2022 By Nicole Toh (825 words, 3-minute read) “When do women get to be heard for who we are?” That was the question raised by Rachel Lim, a Singaporean soprano and UNHEARD ’s founder at the start of the concert...