Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene. A pioneer in video installation, his work often identifies with the “outsider,” whether the artist or the immigrant and comments on displacement and marginalization. Labat has exhibited internationally in venues including the Museum of Contemporary Art, Los Angeles; Laguna Art Museum; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts, Brussels; the National Gallery of Poland; the Helsinki Museum of Art; the Tel Aviv Museum of Art; and the National Gallery of Greece, Athens.
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...