Makeover

2011 - Sculpture (Sculpture)

Tony Labat


Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene. A pioneer in video installation, his work often identifies with the “outsider,” whether the artist or the immigrant and comments on displacement and marginalization. Labat has exhibited internationally in venues including the Museum of Contemporary Art, Los Angeles; Laguna Art Museum; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts, Brussels; the National Gallery of Poland; the Helsinki Museum of Art; the Tel Aviv Museum of Art; and the National Gallery of Greece, Athens.


Colors:



Related works featuring themes of: » Architecture's Effects, » Conceptual Art, » Cuba, » Engagement With Mass Media

No Title
© » KADIST

Félix González-Torres

1992

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...

Map (from Uncertain Pilgrimage), 2006-2009
© » KADIST

Gareth Moore

2006

Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

2016

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...

100 Boots
© » KADIST

Eleanor Antin

1973

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...

The Illusion of Everything
© » KADIST

Daniel Crooks

2014

The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...

The Nightwatch
© » KADIST

Francis Alÿs

2004

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Argument
© » KADIST

Firenze Lai

2013

Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Alignment
© » KADIST

Firenze Lai

2013

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

After the Archive Collections Room
© » KADIST

Andrew Grassie

2009

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...

Pair of shoes / Shoes with eggs
© » KADIST

Hans-Peter Feldmann

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...

SHE MAD: Laughing Gas
© » KADIST

Martine Syms

2016

Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...

Sound of Ice Melting
© » KADIST

Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

Ed Ruscha's Poetry of the American Experience
© » ART & OBJECT

Ed Ruscha

Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

Teapot with shadow
© » KADIST

Hans-Peter Feldmann

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...

Sal Sem Carne
© » KADIST

Cildo Meireles

1975

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

Hat with photograph
© » KADIST

Hans-Peter Feldmann

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...

Lightning
© » KADIST

Paul Kos

1976

Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon...