Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture. The green acrylic paint used for the subject’s skin in Maka Panau / Tinea Vesicolor (2005), for example, evokes cultural associations between phenotype and diseases such as hypochromic anemia, a blood-related illness historically diagnosed by the green-hued tone it produced in a patient’s pallor. Staring at the viewer a forlorn gaze, Sulaiman’s subject appears caught in a distressingly static state, at once both uncomfortable and yet incapable of ameliorating his condition. Sulaiman’s paintings, on many levels, foreground bodies as vulnerable sites: in Maka Panau / Tinea Vesicolor (2005), the visual cues for disease also bring out associations of dirtiness and shame as read through “observable” symptoms. At the same time, her work also responds to contemporary practices that privilege branding and commerce over creative originality. Sulaiman’s work effectively translates psychological anxieties endemic to nation building traumas in contemporary Malaysia, the result of a nascent free market economy and its social effects. Her commitment to analog technique represents a decisive injunction against the mass-produced that gestures towards freer expressiveness through artistic practice.
Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia. Her work develops in various forms, from site-specific installations and outdoor performances, to a daily practice of writing and drawing. She started her artistic practice during the 1990’s, when Malaysia opened to the free market and became more international, not without psychological impact on its society. Thus, her work can be perceived as a precious testimony of what the country went through, an emotional landscape of what happened politically and socially during that time.
Wretchedness and absurdity: Thoughts on Bong Joon-ho's Parasite | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON February 18, 2020 By Teo You Yenn (760 words, 4-minute read) I watched Bong Joon-ho’s award-winning film Parasite later than most people I know, and after many people had told me I had to see it...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
SF IndieFest Is a Valentine to Movies and Movie Lovers | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List SF IndieFest Is a Valentine to Movies and Movie Lovers Michael Fox Feb 8 Save Article Save Article Failed to save article Please try again Email Steve Zahn in the SF IndieFest opening night film, 'LaRoy,' playing Feb...
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The top ArtsEquator articles of 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON December 31, 2020 Below is a list of the top 10 ArtsEquator articles in 2020, in random order: An Elder Millennial’s Guide to Classic Singapore TV & Movies by Joel Tan Published on: 20 Aug 2020 “Purists are undecided on when exactly Singapore TV died, but I think 2007, when Phua Chu Kang wrapped, and 2015, when Tanglin started, might be a good gauge...
Twilight Oddities, Real Nightmares, Queer Errands, and Other Daydreams: The Gothenburg Biennial | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Bill Viola | Royal Albert Memorial Museum & Art Gallery Discover the work of internationally renowned video artist Bill Viola at Exeter’s Royal Albert Memorial Museum & Art Gallery (RAMM) ARTIST ROOMS Bill Viola presents three works from the ‘Passions’, a series of video works created between 2000 and 2002 that explore human emotions...
Filmed in Morocco, the film Atlas by Karthik Pandian continues his investigation into history, site and monument...
How to use the new Dazed Club app | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Guide Here’s how to get the most out of our new creative networking platform, the Dazed Club app 9 February 2024 Text Dazed Digital Since Dazed Club launched in 2022, it’s helped members make meaningful connections in the creative industries, access exclusive events, and showcase their work to a wider audience, as well as opening up the doors to the magazine’s vast archive...