The three Maiko s were included in Ron Terada’s 2008 exhibition, Voight–Kampf , at Catriona Jeffries gallery. More ambitious in size and subject matter, this show with its complex video installation marked a new path for Terada’s work. Voight-Kampf is based on a scene from Ridley Scott’s 1982 movie Blade Runner in which a giant advertising billboard in the midst of a dystopian city of Los Angeles in the future displays a geisha eating candy. Terada used this image as a point of departure to explore issues of racial identity, the nature of photographic representation, and the liminal space between fiction and reality. In each of the three Maiko photographs that accompanied the exhibition, a Caucasian woman poses a Geisha and look directly at the camera. The images reinforce the staged and artificial nature of racial categories and stereotypes, but also speak to the excesses brought about by an accelerated consumer culture.
Ron Terada belongs to a generation of Vancouver-based artists that follows the well-known Vancouver School of photoconceptualists which includes Jeff Wall, Stan Douglas, and Ian Wallace. However, Terada’s work is also closely aligned with other conceptual practices like Bruce Nauman’s use of signs, neon lights, and text paintings.
Explain Me with Jonathan Schwartz of Atelier4 and Magda Sawon of Postmasters About AFC Board AFC Editions Donate Art F City Explain Me with Jonathan Schwartz of Atelier4 and Magda Sawon of Postmasters by Paddy Johnson and William Powhida on March 29, 2020 Explain Me Tweet Serkan Özkaya’s Proletarier Aller Länder (Workers of the World) 1999, Image via Postmaster’s Gallery...
Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery Syd Krochmalny, I Speak the Languages of the Stones, 2017...
Weekly Southeast Asia Radar: Indonesian govt aids arts; female voices in Vietnam war stories | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JG Photo/Yudha Baskoro May 14, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility | Artsy Skip to Main Content Advertisement Art Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility Rawaa Talass Nov 16, 2023 5:13PM Diana Al-Hadid The Bride in the Large Glass , 2023 Kasmin Price on request Portrait of Diana Al-Hadid by Diego Flores...
Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
In Rogers’ Columbine works, the artist explores the 1999 high school shooting that took place in Littleton, Colorado, claiming 34 victims...
The Best Art I Saw in 2023 | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture The Best Art I Saw in 2023 Sarah Hotchkiss Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link It’s that time again — time for a hyper-specific superlative-laden list of the best art experiences I had this year but didn’t get a chance to write about...
Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exposition Techniques mixtes Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...