Maids Rooms
2012 - Photography (Photography)
1 image 70 x70 cm; 4 images 33 x 33 cm
Daniela Ortiz
In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima. Her research highlights the position of ‘service architecture’, the vital space given to the domestics. The project offers an analysis of this room, its size and its position in relation to the rest of the house. This study is based on houses constructed between 1930 and 2012. The project examines a selection of 60 houses by presenting the architect’s project, the front of the buildings, floor plans, comparative dimensions of the rooms. The choice of presenting a composition of several photographs of various dimensions recalls the aesthetic of conceptual photography. It is disturbing to go from the formal beauty of the images and of the architecture represented to the revealed reality, showing the deadlock of modernist architecture carried on in contemporary architecture. Daniela Ortiz’s work creates, without any indulgence, spaces of tension which explore the notion of social class, race and nationality accentuating the fact that societies are built on the notions of inclusion and exclusion.
In order to reveal and critique hegemonic structures of power, Daniela Ortiz constructs visual narratives that examine concepts such as nationality, racialization, and social class. Ortiz’s work is always formally evolving, while maintaining a grassroot activist commitment. Her recent projects and research take up colonialism as it relates to European migratory control systems and legal structures that incite and perpetuate violence against racialized communities. Her artistic practice has turned to focus more on material and manual work, developing art pieces in ceramic, collage, and in formats such as children books in order to distinguish her work from eurocentric conceptual art aesthetics. She has also developed projects about the Peruvian upper class and its exploitative relationship with domestic workers.
Colors:
Related works sharing similar palette
© » KADIST
Glenn Ligon
2000Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
© » ARTS EQUATOR
Weekly Picks: Indonesia (16 - 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 16, 2018 Top Picks of Indonesia art events in Solo and Jakarta from 16 – 22 July 2018 We have picked a variety of art events this week that might be interesting for you...
© » KADIST
Bady Dalloul
2017The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
© » ARTS EQUATOR
Drama Lessons: Key takeaways from the SDEA Theatre Arts Conference 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of SDEA June 16, 2021 By Sarah Tang The much-anticipated SDEA Theatre Arts Conference came to a close on 30 May after nine days of workshops, masterclasses and presentations by theatre practitioners and drama educators from 14 countries including India, Greece, United Kingdom (UK), Singapore and Australia...
© » KADIST
On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen , Tauba Auerbach will discuss a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...
© » KADIST
Alexandre Arrechea
2006White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
© » KADIST
Young Min Moon
2022Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...
© » KADIST
Humberto Diaz
2009The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
© » ARTS EQUATOR
Weekly Southeast Asian Radar: The Philippine accent; Hockhacker remains defiant | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Still from The Unseen River via Saigoneer September 3, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » HYPERALLERGIC
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
© » ART AND CAKE
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
