Made in Heaven

2004 - Film & Video (Film & Video)

2 min

Mark Leckey

year born: 1964
gender: male
nationality: British
home town: Birkenhead, United Kingdom

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio. It isn’t just any object, but an iconic sculpture of the end of the 20th century: Jeff Koons’ Bunny. One key question in this work is of course the construction of images, but there is also the question of sculpture, of the passage from two-dimensionality to three-dimensionality. The reason for using the moving image, above all theoretical, is also part of interrogation regarding the material construction of images. For this film, he remakes Koons’s sculpture in order to be able to experiment himself in his studio. One can discern the contours of his studio and sometimes his presence in a lot of his videos. With reference to Marcel Duchamp, he wants to create the ultimate Machine Célibataire (Bachelor Machine), by producing nothing other than itself in reference to the self- reflexivity of Pop. The Bunny is a sculptural form in space which also produces images. It is obvious that we are in an image which is entirely constructed since it is impossible to film the object without having, at a certain point, the reflection of the camera on the steel surface. Mark Leckey is interested in the possibilities of new technologies and places at the heart of his practice the revelation of a sensitive and quasi-magical world. The film loop (which only lasts 2mn) places the spectator in a completely hypnotic state.


Mark Leckey became know in the 1990s with a cult film Fiorucci Made Me Hardcore about English clubs since the early 1970s. Rather like Jeremy Deller, his work at the time was a mixture of Pop culture and counter-culture. In fact a constant in his work is an interest in the icons of our visual culture. In Felix Gets Broadcasted, he became interested in Felix The Cat who was first of all present at the beginning of the 20th century in over 250 newspapers and was the first character to benefit from TV transmission in 1928 in New York. This is the story of a cartoon hero and his successful conversion from cinema to the written press and then to TV, before being integrated into the art system. Mark Leckey is of the same generation as Damien Hirst but has had a very different career path. He was part of an alternative music band and is currently professor of the history of cinema in Frankfurt. He won the Turner Prize in 2008. Mark Leckey was born in Birkenhead, UK . He lives and works in London.


Colors:



Related works featuring themes of: » Animation, » Appropriation Art, » Art in Art, » British

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

Study for my Heroes in the Street (Stan)
© » KADIST

Ian Wallace

1986

Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...

Ink Diary
© » KADIST

Chen Shaoxiong

2006

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

The Simpson Verdict
© » KADIST

Kota Ezawa

2002

The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...

Sickhands
© » KADIST

Petra Cortright

2011

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

The Fifth Quarter
© » KADIST

Toby Ziegler

2005

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...

Mythological Time
© » KADIST

Sun Xun

2016

Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

SpringValle_ber_girls
© » KADIST

Petra Cortright

2012

In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...

Paint, Unpaint
© » KADIST

Kota Ezawa

2014

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...

White Minority
© » KADIST

Juan Capistran

2005

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

Landscape for Fire
© » KADIST

Anthony McCall

Landscape for fire is a major work by Anthony McCall...

After the Archive Collections Room
© » KADIST

Andrew Grassie

2009

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...

Same Old Crowd
© » KADIST

Li Ran

2016

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

2003

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...