Maaike and John

Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...

Asli Çavusoglu is in residence at KADIST Paris from February to May 2020 to develop a project based on previous research she conducted on colors, extending her interest for their political histories towards the production of fabrics colored by naturally cultivated and fairly distributed vegetables, fruits and other edible plants...

Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...

Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...

49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...

Marina Xenofontos "Public Domain" Camden Arts Centre / London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

Kadist Art Foundation is pleased to announce Theory on the Desk , first solo exhibition in France of Japanese artist Meiro Koizumi, in residency at Kadist from August to October 2014...

Tender reading: A review of Loss Adjustment by Linda Collins | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 28, 2021 By Grace Foo (650 words, 3-minute read) Not many people can endure the traumatic experience of losing a child to suicide, let alone be of sound mind to write about it in a painfully self-aware manner...

Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Fabienne Verdier — Horizons et Chênes-lièges Exhibition Painting Fabienne Verdier, Chêne-liège #4, 2023 Pastel gras et pastel sec sur vélin d’Arches teinté — 49 × 28 cm Courtesy de l’artiste et galerie Lelong & Co...

In Algeria, Djidjiga Meffre has woven a fabric with a string, a length equal to the distance from the earth to troposphere...

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...

In Action no...

Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...

This work exemplifies George Pfau’s interest in zombies and liminal embodiment...

Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...

The Maryland-based Nigerian artist and avid art buyer breaks down his thoughtful collecting ethos for Artnet News....

Release/Benefit: Banksy – ‘Fragile/Agile’ « Arrested Motion Continuing his support for humanitarian causes around the globe, Banksy is releasing a new screen print in partnership with Giles Duley ’s Legacy of War Foundation ...

Imjingawa is Hwayeon Nam’s first foray into borrowing from the documentary form...