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In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction. Drawing on seemingly everyday moments, such as lighting a match, Quiñones creates poetic metaphors that cleverly comment on broader social issues, as well as politics, and universal human desires. In her profound work Los amantes, the humblest of materials, a pair of burning matches, becomes a parable for the sharing, longing, restraint, and death that everyone faces in life.
Diana Fonseca Quiñones graduated from the Instituto Superior de Arte, Havana, in 2000, and from the Academia de Bellas Artes de San Alejandro, Havana, in 2005. Since then she has had three solo exhibitions in Cuba, and at the Sean Kelly Gallery, New York (2016). International group exhibitions include “Dilated Biography: Contemporary Cuban Narratives” at The School of the Museum of Fine Arts, Boston (2013); “Spray,” The Hochhaus Kokerei Hansa Museum, Dortmund, Germany (2011); and “Inside Confluences,” the second edition of Contemporary Cuban Art at the National Hispanic Cultural Center, New Mexico (2009). Quinones work was included in the 12th Havana Biennial, in Havana, (2015). She is the recipient of the 2015 EFG ArtNexus Latin America Art Award.
Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Hello Guest | Login Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Friday, October 14, 2022 Americans for the Arts mourns the loss of beloved Artists Committee member Dame Angela Lansbury , who passed away in her Los Angeles home on October 11, 2022, at the age of 96...
Podcast 54: "FOUR FOUR EIGHT" by Emergency Stairs | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan March 27, 2019 Duration: 41 min As part of ArtsEquator’s Critics Reading Group programme, we got together three arts writers – Corrie Tan, Jocelyn Chng and Loo Zihan – to discuss FOUR FOUR EIGHT by Emergency Stairs ...
"Jogging" To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Marwan Tahtah January 21, 2019 By Stephanie Burridge (800 words, four-minute read) Metaphors abound in this complex work about living, loving and surviving...
The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...
Event held offiste at 24th Street BART plaza , San Francisco 12-2pm Kadist joins Creative Time , Hammer Museum , Conflict Kitchen , Nasher Sculpture Center , Dallas Museum of Art , The Art Institute of Chicago , and many others to re-stage Tania Bruguera’s performance, “Tatlin’s Whisper #6? on Monday April 13 at noon...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
Frequencies of Tradition , curated by Hyunjin Kim With Chung Seoyoung, Yoeri Guépin, Ho Tzu Nyen, Chia-Wei Hsu, siren eun young jung, Tomoko Kikuchi, Seulgi Lee, Young Min Moon, Hwayeon Nam, Gala Porras-Kim, Lieko Shiga, Ming Wong And a screening program featuring Fiona Tan, Jane Jin Kaisen, Wang Tuo, siren eun young jung, and Ko Sakai & Ryusuke Hamaguchi Frequencies of Tradition centers on tradition as a space of contestation...
Go Big or Go Home: “Displaced Persons’ Welcome Dinner” Takes Flight | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Checkpoint Theatre June 7, 2019 By Helmi Yusof (1,387 words, six-minute read) Why do people choose to go into poor, dangerous, war-torn countries to work as humanitarian workers? Do they have boundless courage, hope and kindness? Do they have a death wish? Do they believe they can make a difference? Are they simply naïve? Do they suffer from a messiah complex? Or First World guilt? Did their countries once colonise other countries? Are they cynical about humanity? How do these women and men, who mostly come from the developed world, deal with privation – if not quite experiencing it directly, then at least witnessing it firsthand? At what point does their idealism get crushed by bureaucracy, the constraints of their organisations, their own limitations? As a participant of the inaugural Asian Arts Media Roundtable organised by ArtsEquator, I got to watch and share my thoughts with over 20 arts critics and members of the public at Critics Live, a post-show dialogue of Checkpoint Theatre’s Displaced Persons’ Welcome Dinner , a play that sheds light on the fallibility of humanitarian aid workers...
Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre - Artcentron Home » Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre ART Feb 1, 2024 Ξ Leave a comment Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre posted by ARTCENTRON A close-up shows how the Mona Lisa vandalism raises serious concerns about protection...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Weekly Picks: Singapore (18 - 24 June 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore June 18, 2018 Suzhou Symphony Orchestra 2018 Asia Tour – Singapore by Suzhou Symphony Orchestra 18 June 2018 Maestro Chen Xieyang, along with the Suzhou Symphony Orchestra will present to you its programme featuring Profokiev’s epic tale of love and the powerful realism of Zhu Jian Er’s sonic world for the start for their Asian Tour 2018...
o que diriam as pedras a marte? [What would the stones say to Mars?] is a sculptural work consisting of two parts by arquivo mangue...
À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nguyen The Duong March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations...
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...