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In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction. Drawing on seemingly everyday moments, such as lighting a match, Quiñones creates poetic metaphors that cleverly comment on broader social issues, as well as politics, and universal human desires. In her profound work Los amantes, the humblest of materials, a pair of burning matches, becomes a parable for the sharing, longing, restraint, and death that everyone faces in life.
Diana Fonseca Quiñones graduated from the Instituto Superior de Arte, Havana, in 2000, and from the Academia de Bellas Artes de San Alejandro, Havana, in 2005. Since then she has had three solo exhibitions in Cuba, and at the Sean Kelly Gallery, New York (2016). International group exhibitions include “Dilated Biography: Contemporary Cuban Narratives” at The School of the Museum of Fine Arts, Boston (2013); “Spray,” The Hochhaus Kokerei Hansa Museum, Dortmund, Germany (2011); and “Inside Confluences,” the second edition of Contemporary Cuban Art at the National Hispanic Cultural Center, New Mexico (2009). Quinones work was included in the 12th Havana Biennial, in Havana, (2015). She is the recipient of the 2015 EFG ArtNexus Latin America Art Award.
Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Hello Guest | Login Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Friday, October 14, 2022 Americans for the Arts mourns the loss of beloved Artists Committee member Dame Angela Lansbury , who passed away in her Los Angeles home on October 11, 2022, at the age of 96...
What are the genealogies of curatorial and artistic pedagogies within West Africa? Which models of transmission can enable cross-border solidarities, exchanges, and sustainable education? In a discussion with curators and cultural practitioners active on the African continent or taking part in its diaspora, we will reflect on the contemporary art ecosystem through the lens of alternative pedagogies...
The top ArtsEquator articles of 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography December 31, 2019 Here’s a list of the top 10 ArtsEquator articles in 2019: Enter Stage Right: Tay Tong by Art sEquator “It is amazing how one’s identity is so associated with one’s job...
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...
"Off Stage" at M1 Contact 2018: Communicating Beyond The Stage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image courtesy of M1 Contact Contemporary Dance Festival August 8, 2018 By Bernice Lee (1100 words, six-minute read) M1 Contact Contemporary Dance Festival has become a staple of the contemporary dance scene in Singapore...
o que diriam as pedras a marte? [What would the stones say to Mars?] is a sculptural work consisting of two parts by arquivo mangue...
Go Big or Go Home: “Displaced Persons’ Welcome Dinner” Takes Flight | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Checkpoint Theatre June 7, 2019 By Helmi Yusof (1,387 words, six-minute read) Why do people choose to go into poor, dangerous, war-torn countries to work as humanitarian workers? Do they have boundless courage, hope and kindness? Do they have a death wish? Do they believe they can make a difference? Are they simply naïve? Do they suffer from a messiah complex? Or First World guilt? Did their countries once colonise other countries? Are they cynical about humanity? How do these women and men, who mostly come from the developed world, deal with privation – if not quite experiencing it directly, then at least witnessing it firsthand? At what point does their idealism get crushed by bureaucracy, the constraints of their organisations, their own limitations? As a participant of the inaugural Asian Arts Media Roundtable organised by ArtsEquator, I got to watch and share my thoughts with over 20 arts critics and members of the public at Critics Live, a post-show dialogue of Checkpoint Theatre’s Displaced Persons’ Welcome Dinner , a play that sheds light on the fallibility of humanitarian aid workers...
À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nguyen The Duong March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations...
New York Old Master sales deliver tepid results at Christie's and Sotheby's Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news New York Old Master sales deliver tepid results at Christie's and Sotheby's Scattered seven-figure highlights failed to make up for dozens of passed lots and multiple key withdrawals Judd Tully 2 February 2024 Share Nardo di Cione, Madonna Annunciate; Archangel Gabriel (14th c.) Courtesy of Sotheby's The premier auctions among Christie’s and Sotheby’s winter sales of Old Master works in New York this week did little to counter concerns about the deteriorating market for the classics...
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons...
Podcast 54: "FOUR FOUR EIGHT" by Emergency Stairs | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan March 27, 2019 Duration: 41 min As part of ArtsEquator’s Critics Reading Group programme, we got together three arts writers – Corrie Tan, Jocelyn Chng and Loo Zihan – to discuss FOUR FOUR EIGHT by Emergency Stairs ...
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...
"Pratthana: A Portrait of Possession": Of Politics and Desire Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tananop Kanjanawutisit August 30, 2018 By Amitha Amranand (1225 words, six-minute read) Everyone is always watching and being watched in Pratthana: A Portrait of Possession , the latest play by Japanese director Toshiki Okada...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...