Long Long Live

2013 - Film & Video (Film & Video)

7:20 minutes

Yao Jui-Chung

year born: 1969
gender: male
nationality: Taiwanese
home town: Taipei, Taiwan

Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period. In black and white, Yao depicts the historical site as an eerie abandoned compound. Reflecting on the centenary of the HsinHai Revolution and the end of the Cold War, Yao questions the existence of an ever lasting dynasty or “transcendental Rules of History.” The soundtrack features a sole voice reverberating through loud speakers. Someone is repeatedly shouting long live from the Hall of the Eternally Living Chiang Kai-shek, a building in Chiang Kai-shek’s former residence in Yang Mingshan. As the camera pans out, the scene is revealed to be from a broadcast on an old television set in an empty cafeteria, where bowls and plates are set perfectly on tables. The multiple layers of embedded media structures examine the legacy of propaganda machines of yesteryear and their echoes in contemporary culture.


Yao Jui-chung specializes in photography, installation art, and art theory. The themes of his works are varied, but most importantly they examine the absurdity of the human condition. Having lived through Taiwan’s turbulent political and social changes, Yao often explores issues of history and society, especially those surrounding the political status of Taiwan and an ambiguous collective consciousness. His video Long, Long Live, filmed at the Oasis Villa in Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s marshal law period, examines history through reviewing Taiwan’s historical identity and revealing political conspiracies.


Colors:



Other related works, blended automatically

The Breaks
© » KADIST

Juan Capistran

2002

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

White Minority
© » KADIST

Juan Capistran

2005

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Baby Shoes, Never Worn
© » KADIST

John Houck

2013

Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

Rocket
© » KADIST

Jeffrey Vallance

1978

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...

Last Postcards
© » KADIST

Elisheva Biernoff

2009

Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...

Island
© » KADIST

Kan Xuan

2006

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups...

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

2013

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

They Were Here
© » KADIST

Elisheva Biernoff

2009

In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...

Central Station
© » KADIST

Firenze Lai

2013

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Blockbuster
© » KADIST

Conrad Ruiz

2011

Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...

Stamp -X, Stamp -Y
© » KADIST

John Houck

2013

John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...

Untitled (Rolled up)
© » KADIST

Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Making Chinatown
© » KADIST

Ming Wong

2012

Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown ...

Untitled 6/10 i-xxii
© » KADIST

Nathaniel Dorsky

2010

Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...

New Fall Lineup
© » KADIST

Conrad Ruiz

2009

It may take a minute to recognize the background of New Fall Lineup – the colors are tweaked into a world of cartoon and candy, and it is covered by leaping energetic figures and flying squirrels...

LAB
© » KADIST

Kori Newkirk

2013

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...