200H x 140W centimeters
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations. He often employs and alters clocks, using them as metaphors for human relationships. Light Years (2008) consists of 12 measuring tapes of different lengths, radiating out elliptically from a central mounting point on the wall. It is a literal reference to the hands on a clock and to progressive durations of time, with the length of each tape increasing as they go clockwise in a circle. The piece is also referencing art historical works such as Marcel Duchamp’s painting Network of Stoppages (1914). But unlike in Duchamp’s work, there are no “stoppages” here; rather, time is presented as a linear flow.
Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...
Wind by Antonio Pichillá is a textile piece depicting the glyph that represents the element wind in the Mayan tradition...
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In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience...
Saya Takut Untuk Mengkritik Sehinggalah Saya Berjumpa Sekumpulan Pengkritik: Refleksi Terhadap AAMR | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hello I'm Nik on Unsplash July 22, 2021 Oleh Sukhbir Cheema dan diterjemah oleh Fasyali Fadzly Bila anda mendengar perkataan “pengkritik”, apakah yang anda bayangkan? Saya sering membayangkan orang yang pakai cermin mata; ulat buku, sangat serius, dan payah untuk puaskan hatinya...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Io Burgard — La proie pour l’ombre Exhibition Mixed media Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Ends in about 2 months: February 7 → March 30, 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
Furthering Alexandra Pirici’s enquiry into the economy and circulation of artworks, Parthenon Marbles is an immaterial version of the sculptural ensemble embodied by five performers...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
L’art protéiforme de Gerhard Richter essaime en Suisse Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Silsersee, Maloja (Lake Sils, Maloja) » (1992), de Gerhard Richter...
Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre...
I Was Afraid Of Critiquing Until I Met A Bunch Of Critics: Reflections on AAMR 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hello I'm Nik on Unsplash June 23, 2021 By Sukhbir Cheema When you hear the word “critic”, what image do you conjure? I used to imagine a bespectacled person; bookish, extremely serious, and tough to please...