This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances. The installation complicates notions of time, history, fact, and subjectivity by including readymade European artifacts with photographs made by Hu Yun’s own grandfather and a bell in the corner of the gallery that summons an attendant to recite a fairytale for the viewer. Individual experience cannot be separated from historical account, while past events cannot be separated from their context within the present moment.
Shanghai-based artist Hu Yun works in various media, including graphite, watercolor, installation, video, and performance. He brings together personal and historical events from different times and locations to create complex narratives that demonstrate the coexistence of the past and present. He invites viewers to discover connections between the elements of each piece and their own experiences.
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...