5:06 minutes
Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs. As explained by the video’s title, the departure point for LIFE #1 is the iconic 1943 photograph published by Life magazine that captures Japanese officer Yasuno Chikao from the Imperial Japanese Navy as he raises his sword, seconds before publically beheading Australian war commando Leonard Siffleet in the shores of Papua New Guinea. In Arick’s restaging there are no onlookers in the scene, the only two figures represented are Chikao and Siffleet: the perpetrator and victim of this fatal act of violence. The two subjects in the video assume the poses akin to the original photograph and remain still for the whole duration of the work, their act of endurance interlacing testimony, history, and temporality.
Violence is key to Shay Arick’s practice who employs photography, sculpture, performance, video and drawing as means to understand what motivates people to enact it. Born in Israel, the now Brooklyn-based artist has experienced the lasting effects of growing up surrounded by decades of the Israeli-Palestinian conflict and hence strives to make work that fosters empathy and dialogue. Often taking cues from archives or historical sources, Arick restages or re-interprets iconic cultural imagery and historical moments to expose the absurdity in the constructs and taboos that can drive socio-political conflicts. Whether through composite photographs of hands throwing rocks during armed conflicts, a body of work concerned with violence perpetrated against animals, or a series exploring violence and masculinity through the biblical story of David and Goliath, his work invites us to reflect and contemplate, from the perspective of both victim and perpetrator, about a brutality that appears to be an inevitable condition of our humanity.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Laura Lamiel — Ursule Exhibition Installation, sculpture Laura Lamiel, Ursule (2), 2023 — Vue de l’exposition Ursule, 2023...
In DUST 171217 Zhang Zhenyu uses fragments of dust collected across the city, and then creates dark abstract paintings, repetitively gluing the material to the canvas, applying up to 30 or 100 layers and sanding until he arrives at a smooth surface...
The Metropolitan Museum will repatriate 16 Khmer sculptures to Cambodia and Thailand Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Antiquities trafficking news The Metropolitan Museum will repatriate 16 Khmer sculptures to Cambodia and Thailand The museum had been pressured and petitioned for years to return objects tied to smuggler Douglas Latchford Theo Belci 15 December 2023 Share Two antiquities with ties to the late dealer Douglas Latchford—the Bodhisattva Avalokiteshvara Seated in Royal Ease from the tenth or eleventh century (left) and the Head of Avalokiteshvara, the Bodhisattva of Infinite Compassion from the tenth century (right)—will be repatriated by the Metropolitan Museum of Art Metropolitan Museum of Art The Metropolitan Museum of Art has begun the repatriation process for 16 sculptures previously held in its permanent collection, returning 14 to Cambodia and two to Thailand...
Documenta Team Resigns Over Israel-Hamas Conflict | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Podcast 62: Unpacking the Contemporary in Traditional Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 23, 2019 Duration: 47 min Podcast host Amin Farid alongside fellow dance scholars Elizabeth Chan and Aparna Nambiar discuss their respective fields of study within traditional dance...
Mark Bradford "Nobody Knows the Trouble I've Seen" Hauser & Wirth / Monaco | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Like with other works of the artist, with First Piano Katinka Bock tried to go against the rules of use of clay, that is, by forcing the material to the extreme, and transferring the resulting elements into a cubic shaped volume...
Yangon's well loved Palace of Literature (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 3, 2018 The four storey yellow painted building with big masonry work of books in black and white pages for its motif loomed high at the corner of Merchant Road and 37th street...
The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
German Academy of Arts opens Otto Dix archive—and recalls a scandal Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Otto Dix news German Academy of Arts opens Otto Dix archive—and recalls a scandal Dix’s war painting The Trench, lost during the Second World War, is in focus at the opening Catherine Hickley 7 February 2024 Share Otto Dix's Der Schützengraben (The Trench) (1923) provoked a strong reaction when it was first displayed 100 years ago Photo: Hugo Erfurth, Akademie der Künste Berlin, Otto-Dix-Archiv A century after Otto Dix’s First World War painting The Trench (1923) provoked an outcry when it was displayed at the Prussian Academy of Arts in Berlin, the institution's successor, the Germany Academy of Arts , is opening to the public the inventory of the artist's works that he compiled—somewhat grudgingly...
Whitehot Recommends: Hunter Amos at Anna Zorina Gallery advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Whitehot Recommends: Hunter Amos at Anna Zorina Gallery Installation view...