9.84H x 8.27W inches
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti. Ponti designed the Villa Planchart a private, modernist house in Caracas, Venezuela, which at the time it was built in 1956, reflected the emergence of a class increasingly globalized, both culturally and economically. Araujo’s replica of the book thus refers to the role and visibility of Venezuela in circuits of global cultural production.
Juan Araujo’s works often begin with photographs he takes of a physical site. By reproducing fragments from urban images, facades and different architectures, he makes visible a tension between the desire to represent and the visual stereotypes. Araujo’s most recent paintings examine Venezuelan and Brazilian modernist architecture and the latter’s complex relationship to certain ideologies and belief systems that deeply marked Latin America’s cultural development in the mid-twentieth century.
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...