6.7H x 9.3W cm (with margin 10 x 13.7 cm)
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.
Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran.
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
France fast-tracks Jewish claims on artwork stolen during WWII Skip to main content France fast-tracks Jewish claims on artwork stolen during WWII France on Thursday passed a law making it easier to return the works of art seized by Nazi Germany which ended up in French museums to their Jewish owners...
National Museum of Women in the Arts Grows Its Galleries and the Canon – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All October 27, 2023 8:36am The newly reopened National Museum of Women in the Arts can now play host to bigger artworks...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Anointed by Kathy Jetnil-Kijiner and Dan Lin is a poem recital/video that addresses the American nuclear testing legacy in the Marshall Islands that occurred between 1946 to 1958 in Bikini and Enewetak Atolls...
O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...