6.7H x 9.3W cm (with margin 10 x 13.7 cm)
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.
Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran.
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
The flat, wide river holds on its surface a tour-boat of memories, as Som Supaparinya documents her Grandfather’s return via cruise to familiar territories in rural Thailand that were submerged after the Thai government installed a series of dams...
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh...
Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...