7:44 minutes
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints. The sublime mountain peaks, as the artist explains, only exist in the distance, and our experience of them is different when we are up-close. In that sense they are unattainable, and always in the distance… a beautiful analogy of human longing and desire.
Richard T. Walker seeks out sublime landscapes, devoid of human intervention—often with vast skies punctuated by mountains—and transforms them into intimate settings to compose performative videos, with layered soundtracks. The videos are often presented with sculptures, instruments and images, that collectively speak (or sing) of the relationship between a single human life and the limitless expanse of the natural world. Originally from the U.K., Walker moved to California in 2007, drawn by the striking landscape of American West. Akin to 18th century Romantic figures such as Caspar David Friedrich, for Walker the sublime landscape is an arena in which he can explore strong human emotions and existential ideas: from the perception of the self and others, through to human solitude and our relationship to nature.
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...
Days of Future Passed - Photographs by Florence Iff | Text by Marigold Warner | LensCulture Feature Days of Future Passed Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis...
Artists Install AR Pig on UK buildings exposing links to harmful industrial food system - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — A virtual, female pig has appeared on top of Barclays’ Canary Wharf HQ, two Tesco stores in London and Liverpool, DEFRA and other locations in a new experimental augmented reality (AR) app created by artists, Naho Matsuda and collective A Drift of Us...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
“Tiger of Malaya”: The Body Remembers What the Archive Cannot Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Monospectrum Photography September 27, 2018 By Corrie Tan (2,080 words, 10-minute read ) Spoiler alert: this essay discusses certain plot points about Tiger of Malaya in detail...
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
Review into British Museum thefts calls for fundamental reforms Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search British Museum thefts news Review into British Museum thefts calls for fundamental reforms The Independent Collection Security Review urges the museum to take urgent action, including fully recording the collection and tough management changes Martin Bailey 13 December 2023 Share The report has been heavily criticised by Ittai Gradel, the Danish gems specialist who privately warned the British Museum about the theft in 2020 Photo: Jeff Whyte The independent review into thefts at the British Museum reveals serious problems with the institution’s governance...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Anne Deguelle — L’Arctique fantôme Exposition Photographie À venir Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme Dans environ 2 mois : 27 janvier → 17 février 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...