7:44 minutes
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints. The sublime mountain peaks, as the artist explains, only exist in the distance, and our experience of them is different when we are up-close. In that sense they are unattainable, and always in the distance… a beautiful analogy of human longing and desire.
Richard T. Walker seeks out sublime landscapes, devoid of human intervention—often with vast skies punctuated by mountains—and transforms them into intimate settings to compose performative videos, with layered soundtracks. The videos are often presented with sculptures, instruments and images, that collectively speak (or sing) of the relationship between a single human life and the limitless expanse of the natural world. Originally from the U.K., Walker moved to California in 2007, drawn by the striking landscape of American West. Akin to 18th century Romantic figures such as Caspar David Friedrich, for Walker the sublime landscape is an arena in which he can explore strong human emotions and existential ideas: from the perception of the self and others, through to human solitude and our relationship to nature.
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...