7:44 minutes
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints. The sublime mountain peaks, as the artist explains, only exist in the distance, and our experience of them is different when we are up-close. In that sense they are unattainable, and always in the distance… a beautiful analogy of human longing and desire.
Richard T. Walker seeks out sublime landscapes, devoid of human intervention—often with vast skies punctuated by mountains—and transforms them into intimate settings to compose performative videos, with layered soundtracks. The videos are often presented with sculptures, instruments and images, that collectively speak (or sing) of the relationship between a single human life and the limitless expanse of the natural world. Originally from the U.K., Walker moved to California in 2007, drawn by the striking landscape of American West. Akin to 18th century Romantic figures such as Caspar David Friedrich, for Walker the sublime landscape is an arena in which he can explore strong human emotions and existential ideas: from the perception of the self and others, through to human solitude and our relationship to nature.
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...
To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...