7:44 minutes
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints. The sublime mountain peaks, as the artist explains, only exist in the distance, and our experience of them is different when we are up-close. In that sense they are unattainable, and always in the distance… a beautiful analogy of human longing and desire.
Richard T. Walker seeks out sublime landscapes, devoid of human intervention—often with vast skies punctuated by mountains—and transforms them into intimate settings to compose performative videos, with layered soundtracks. The videos are often presented with sculptures, instruments and images, that collectively speak (or sing) of the relationship between a single human life and the limitless expanse of the natural world. Originally from the U.K., Walker moved to California in 2007, drawn by the striking landscape of American West. Akin to 18th century Romantic figures such as Caspar David Friedrich, for Walker the sublime landscape is an arena in which he can explore strong human emotions and existential ideas: from the perception of the self and others, through to human solitude and our relationship to nature.
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...
QALQALAH 1, an editorial project by Kadist Art Foundation and Bétonsalon – Centre for Art and Research, Paris >>> To download in the “Attachment section” on the right side of the page In echo of their respective programs, Kadist Art Foundation and Bétonsalon – Centre for Art and Research are launching the joint publication Qalqalah , a “reader” gathering contributions from artists and researchers on a variety of interlinked issues...
Artists Install AR Pig on UK buildings exposing links to harmful industrial food system - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — A virtual, female pig has appeared on top of Barclays’ Canary Wharf HQ, two Tesco stores in London and Liverpool, DEFRA and other locations in a new experimental augmented reality (AR) app created by artists, Naho Matsuda and collective A Drift of Us...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Foreigners Everywhere is a series of neon signs in several different languages...
Through a hand-painting process, Shi Guowei created Manufactured Landscape ...