Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated. Shot from directly above, they are lavish views of very private spaces. The artist plays to her viewers’ voyeuristic impulses, inviting us to look, but then denying us the opportunity to study the figures to whom the sheets belong, so that the rumpled covers become like anthropomorphic stand-ins inviting empathic projection.
Using photography, text, and video, Tammy Rae Carland tactically realigns traditional ideas of love, partnership, domesticity, and family. Her work consistently subverts heteronormative conceptions of gender and sexuality; positive representations function simultaneously as portrait and protest. Based in Oakland, she is the chair of the photography program at California College of the Arts.
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Katia Kameli’s film The Storyteller explores the cultural role of deep-rooted artistic tradition in Morocco...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...